Search Details

Word: print (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

Chou's answer amounts to a total rejection of all of Nehru's proposals, except the one about not sending out border patrols. Though headlines played up Chou's willingness to negotiate, the fine print showed that he was in no real bargaining mood...

Author: /time Magazine | Title: Foreign News: What Chou Wants | 12/28/1959 | See Source »

...Government broke up this trust by decree, prompting dozens of civil damage suits brought by vicinity papers and advertisers claiming injury. The cost in embarrassment was great, and that was not all. The financial strain caused the Star to postpone an ambition of many years' standing to print its own Sunday supplement, and kept it from a new effort to improve its lagging color program...

Author: /time Magazine | Title: The Press: Good for Kansas City | 12/28/1959 | See Source »

...next month. The scholarship, supplied by contributors from 18 countries, is outstanding, the 542 page-plates excellent (98 pages are in color). Plans call for four volumes a year until by the end of the 15th volume, 9,000,000 words and 7,000 plates will have passed into print. The price: $32 a volume, $480 for the set. Said McGraw-Hill President Curtis Benjamin: "We were attracted the great and very evident resurgence of interest in the fine arts in America, and by the fact that more than 5,000,000 students are now studying art in one form...

Author: /time Magazine | Title: Art: Swelling Avalanche | 12/21/1959 | See Source »

Typical of Amen's more genial work is To Wonder At, a color print depicting a pony-tailed little girl gazing in awe at a large bouquet. The flowers, which take up two-thirds of the picture, would make a tasteful composition standing by themselves. One's attention, however, is drawn to the pouting face which, well done though it is, reminds one of something from a comic strip. Eyes of Wonder portrays a very similar little girl, this time showing her in full face and emphasizing her large, dark and somewhat watery eyes. As one prospective customer remarked...

Author: By Clay Modelling, | Title: Irving Amen | 12/17/1959 | See Source »

Amen's other self, the darker and deeper one, is best revealed by the large, dramatic print of Adam. In contrast to Michelangelo's noble idealization, this First Man is conceived as a brute. Above his diminutive head, which is dominated by a circle of teeth and a single, piggish eye, he raises a jagged sword. His free hand, meanwhile, hangs ape-like to his knees. Defined in bold line against a blank background, Adam makes a powerful and impressive figure...

Author: By Clay Modelling, | Title: Irving Amen | 12/17/1959 | See Source »

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