Word: powerful
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Dates: during 1930-1939
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...Finns, they continued to harass the invaders, refused to start an offensive which might cost them valuable man power. Their sharpshooters picked Russian observers out of trees. At night, raiding parties of three, armed with their light machine guns, crossed the lakes and rivers in boats, slipped up on the Russians in bivouac and slaughtered them...
Diplomatic Front. Still woefully weak in both man power and material, the Finns left nothing undone to get aid. To keep their U. S. reputation as good debtors (which privately they consider highly amusing) they paid the $234,693 installment on their loan. Tickled pink by the League of Nations' expulsion of Russia (see p. 75), the Finnish delegation to the League got busy drawing up a list of needed supplies. Heading this list must be airplanes and artillery, without which Finland cannot hope to win-especially if Coach Stalin sends his first team into the game. More...
...eyed, thrushlike Melanie Hamilton, Leslie Howard as smooth, anemic, intellectual Ashley Wilkes, Laura Hope Crews as futile, flustered foolish Aunt Pittypat. Two of Selznick's minor castings were inspired: 1) Thomas Mitchell as old hard-riding Gerald O'Hara, who (after his mind is gone) by sheer power of pantomime dominates the scenes in which he has almost nothing to say or do; 2) colored Cinemactress Hattie McDaniel, who comes from Kansas, had to be taught to speak thick Georgian, turns in the most finished acting job of the picture as Mammy, the sly, leather-lunged, devoted Emily...
...Expatriate Henry Miller (TIME, Nov. 21, 1938). It did not do so. The book had been published in Paris in 1934 and was considered by severe critics to be, even in its fantasies, of extraordinary documentary power. It was also known to a number of readers as a piece of uproarious pornography. Rather than invite another legal battle like that over Joyce's Ulysses, Publisher Laughlin last month brought out The Cosmological Eye, a book of more or less castrated selections from Miller's writing. By doing this much, New Directions called attention to Miller's latest...
Nearest approach in The Cosmological Eye to Miller's cumulative power is a nightmare section building up to a bloody, fecund millennium in which a menagerie breaks loose, animals, vegetables and Indians run wild, and there are "no pale white faces, thanks be to Christ!" For the rest, its often funny short pieces are as mild compared to the two novels as they are wild, and fresh, relative to the bulk-and much of the best-of U. S. writing...