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Word: portraits (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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...Amorous Antic. Harlow Balsam (Frank Morgan) is engaged in writing a play which incorporates such progressive features as a girl on a bicycle and a bishop, both nude, but appearing in total darkness. His wife Sena (Phoebe Foster) is painting a geometrical portrait of Percival Redingote (Alan Mowbray) who, in turn, is about to carve a bust of Sena. Because Miss Foster is a brittle beauty, Mr. Morgan an absurd farceur, and Jo Mielziner, who designed the scenery, knows how to burlesque the futuristic trend, this satire on ultra-modern estheticism by Novelist Ernest Pascal (The Marriage...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Dec. 16, 1929 | 12/16/1929 | See Source »

...world's champion wrestler, longtime crusader for clean boxing, originator of state boxing inspection, was given a testimonial dinner in Manhattan in honor of his approaching 85th birthday. To it went folk like Elihu Root, Walter Percy Chrysler, Oliver Harriman, Felix Warburg. Toastmaster John McEntee Bowman presented Muldoon a portrait, a bronze bust. Thomas brought back a silver-banded stick which Boxing Champion Heenan had given Muldoon 50 years ago. Muldoon lost the stick in 1880. Darraugh said he had received it in 1890 from the late Sportsman Thomas Gould...

Author: /time Magazine | Title: People: Dec. 9, 1929 | 12/9/1929 | See Source »

...late great John Pierpont Morgan once sat for his portrait. Because he sat impatiently, badly, the painter wanted a photograph to help him. Banker Morgan agreed to allow a photographer just two minutes for the job. The next day he arrived punctually to find Photographer Edward J. Steichen, 27, waiting for him. Mr. Steichen had been there for a half-hour studying lights and shades, posing the janitor of the building in the chair where Banker Morgan would sit. Briskly he shunted the sitter to his seat. Banker Morgan sat down, glared into the lens. Snap. One picture was taken...

Author: /time Magazine | Title: Art: Steichen* | 12/2/1929 | See Source »

Back to his studio went Photographer Steichen, sorely nettled. He labored over the second plate until he got a fine, enlarged print. He showed it around. Everybody liked it. Belle da Costa Greene, able Morgan librarian, pronounced it the greatest portrait of her boss which she had ever seen. When she showed it to him, he declared he had never seen it before, authorized her to buy it. She made a bid of $5,000 to famed pioneer Photographer Alfred Stieglitz (TIME, Feb. 25), then editor of Camera Work, who owned the print. He refused. She then begged Photographer Steichen...

Author: /time Magazine | Title: Art: Steichen* | 12/2/1929 | See Source »

Representing as they do the work of one of the most famous American portrait painters and mural artists, the drawings form an unusual collection to add to the treasures of Harvard's art museum. Most of the drawings are the preliminary sketches for murals in the Boston Public Library and the Boston Museum of Fine Arts. One of the most beautiful drawings is that of Apollo in his chariot with the Hours, which forms the decoration over the staircase in the Museum of Fine Arts. Other splendid examples of Sargent's work are the sketches of the Danaides...

Author: NO WRITER ATTRIBUTED | Title: SARGENT SKETCHES ARE GIVEN MUSEUM | 11/22/1929 | See Source »

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