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...Wolff suggests, can teach you not only a measure of self-knowledge but also the ability to open yourself to an imperfect world. "The life that produces writing can't be written about," the narrator maintains. But in Old School Wolff gives it a very good shot. --By Christopher Porterfield...

Author: /time Magazine | Title: Books: Literary Life | 12/1/2003 | See Source »

...anguished lawyer William Smith, whose black, lowlife client was Frank's chief accuser but who, Smith decided, was probably the murderer. If, in its exhaustive thoroughness, Oney's narrative meanders, it does so like a vast river: cumulatively it moves with a steady, somber power. --By Christopher Porterfield...

Author: /time Magazine | Title: Books: Frank's Fate | 11/10/2003 | See Source »

...theme, none better than this: in a Sacramento house the Didions moved into in 1951, the gold silk organza curtains on the stairs hadn't been changed since 1907. They "hung almost two stories, billowed iridescent with every breath of air, and, if touched, crumbled." --By Christopher Porterfield...

Author: /time Magazine | Title: Books: Dire State | 10/27/2003 | See Source »

...these red-letter days. Contributor Hugh Sidey, who was riding 50 yards behind President Kennedy that fateful Friday in Dallas, heard three sharp noises, saw the panic on the grassy knoll and later stared into the limousine with the crushed red roses on the front seat. Executive editor Chris Porterfield was backstage at The Ed Sullivan Show when the Beatles made their first appearance on Feb. 9, 1964, and recalls the "piercing din of screaming. That noise level was something new in pop performances--beyond Frank Sinatra's, even beyond Elvis'." Retired correspondent Bruce van Voorst was on the chartered...

Author: /time Magazine | Title: 80 Days That Changed the World | 2/17/2003 | See Source »

Christopher Porterfield, Executive Editor

Author: /time Magazine | Title: Planet Pop | 9/15/2001 | See Source »

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