Word: porterfield
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Dates: during 1970-1979
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...seems that Reviewer Christopher Porterfield went to the film Don Giovanni [Nov. 26] with a preconceived notion of how it should be played-with an emphasis on the lighter side. This is, of course, a perfectly valid interpretation. However, Joseph Losey chose to look at the dark side of Don Giovanni. You must remember that this work, with its terribly ambiguous juxtaposition of good and evil, is open to as many interpretations as there are productions...
...Christopher Porterfield...
Meanwhile, that excellence is on view in Washington, making an eloquent case for the company's conservatism. If the Viennese venerate the ghosts in their midst, at least they have chosen to venerate the best. -Christopher Porterfield...
...magician stared out at the performers from the ear of the stage, as if challenging them to account for his mysterious driven nature. The tricks, the career, the public appropriation of him as a hero were all here. But the man himself? Once again, he escaped. - Christopher Porterfield...
...grand prize for him, and he soon had all the publicity and bookings a young art ist needs. As this release shows, he has all the more fundamental qualities a young artist needs too: exuberant virtuosity, a formidable command of pianistic sonorities and lots of sensitive, poetic feeling. -Christopher Porterfield...