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...wasn’t involved in theater at Harvard at all,” Alfaro said. “I was far too shy. I stayed clear of that scene.” Such a statement might seem odd coming from an accomplished playwright??she is author of 40 plays and numerous short stories—but her admitted avoidance of the dramatic arts while at Harvard did little to hinder Alfaro’s current profession...

Author: By Erika P. Pierson, CRIMSON STAFF WRITER | Title: Rosana Y. Alfaro | 5/27/2010 | See Source »

...writing—some of his finest—is, in fact, the star of this show. The focus here is not on style, but on the people: the community, the nuclear family, and the conflicts that tear them both apart. Esbjornson remains faithful to the playwright??s masterful work, providing the standard Midwestern backyard set and then letting the sparks fly between his skilled actors...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Esbjorson Does Ample and Timely Justice to Classic Miller | 1/22/2010 | See Source »

...edited for a 1964 reprint, in which the ever-meticulous Updike literally cut and pasted revised paragraphs into the margins and tucked them into the text. The Archive also offers proof that Updike was just another Harvard student, scrawling a less well-known moniker for the greatest English playwright??“Willie the Shake”—onto a copy of “The Tempest” for Professor Henry Levin’s Shakespeare course...

Author: By Michelle B. Timmerman, CONTRIBUTING WRITER | Title: What’s Up with Updike | 10/22/2009 | See Source »

...Kong, and Singapore—believes that her experiences growing up contributed to shaping her artistry today. “Growing up in Asia helped me in terms of being able to explore a certain different type of aesthetic that exists in the world.” The young playwright??s studies, previous work, and diverse influences have culminated in “The Space Between,” a production which recently premiered on the Loeb Mainstage that she devised and directed. The experimental play—which Videt began working on three years ago?...

Author: By Erika P. Pierson, CRIMSON STAFF WRITER | Title: Catherine “Calla” Videt ’08-’09 | 5/1/2009 | See Source »

...stage. The rubble of the setting is a constant reminder of war’s devastation. Significantly, this scene of ruin is not specifically Greek or Trojan, modern or ancient. The set instead pays homage to the play’s presentation of personal history.As Evans writes in her Playwright??s Note, “Inside the driest desert is the murmured dream of the sea, and under the Greek poetry that immortalizes sacrificial virgins we can find living girls full of rebellion, botched home-made tattoos, and too-short skirts.” To be sure...

Author: By Lillian Yu, CONTRIBUTING WRITER | Title: ‘Barbie’ Revives, Revises Tragedy | 4/26/2009 | See Source »

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