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...later 1960s Twombly's layered scribbles became more regular, filling the picture with rhythmic webs. Working in that manner he produced a series of exquisite paintings dedicated to Nini Pirandello, a friend who had died. Oscillating in a thin wash of pigment, his lines have an elegiac feel, one of fading sensations and of words attempted but never arrived...

Author: /time Magazine | Title: Cy Twombly: Radically Retro | 7/30/2008 | See Source »

Nick Nolte brings redemption to the rich in Down and Out in Beverly Hills. Pirandello comes richly to the screen in Kaos...

Author: /time Magazine | Title: Table of Contents Jan. 20, 1986 | 6/21/2005 | See Source »

...Luigi Pirandello died 50 years ago this December, but his influence is still palpable in Italian cinema. Recently Marcello Mastroianni has starred in two adaptations, of the novel The Late Mattia Pascal and the play Henry IV. Both movies offer aspects of the basic Pirandello theme, in which the universe is a carrousel whirling off its moral axis, and man's ego is a mask that conceals a gaping void. In their entrancing new film, Paolo and Vittorio Taviani have revived a less familiar Pirandello: the compulsive storyteller, spinning tales about his native Sicily, its stern landscape and elemental passions...

Author: /time Magazine | Title: Cinema: Folk Artistry | 6/21/2005 | See Source »

...epilogue, Pirandello (Omero Antonutti) visits his old village two years after his mother's death. An aged carriage driver seems vaguely familiar; then Luigi remembers--"You're Saro!"--and the driver smiles back, suddenly as young as he was in Moon Sickness, and as vibrant as only a creature of the imagination can be. Once at home Luigi conjures up a vision of his mother, who recalls an incident from her adolescence, when she and her siblings stopped at an isolated pumice-stone island near Malta. They climbed to the top of a white dune, then bounded gaily down toward...

Author: /time Magazine | Title: Cinema: Folk Artistry | 6/21/2005 | See Source »

...Here's the delicious dilemma Pirandello poses: Three strange characters: a man (we'll say A), his wife (B) and an older woman (C), whom the man has forbidden his wife to contact. A says it's because C is mad: that she believes the man's wife is her daughter, when in fact her daughter was the man's first wife, who died in an earthquake, and B is his second. C says A is mad: that he mistakenly believed his wife had died in an earthquake, and to humor him B pretended to be another woman, whom...

Author: /time Magazine | Title: George and Jerry Take London | 8/4/2003 | See Source »

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