Word: philharmonia
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Dates: during 1990-1999
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...CONSTANT LAMBERT Tiresias/Pomona (Hyperion). Constant Lambert's final ballet score was roundly damned by critics at its 1951 premiere, then went unplayed for 40 years. This recording (performed by the English Northern Philharmonia, conducted by David Lloyd Jones and happily coupled with the ballet Pomona) gives a second chance to a masterpiece...
Disney typically gambles big, then hedges its bets. To make F2K an event, it will premiere the film on Dec. 17 at New York City's Carnegie Hall, with James Levine, artistic director of the Metropolitan Opera, conducting the London Philharmonia. The orchestra will also play during the movie in London, Paris, Tokyo and, on New Year's Eve, Pasadena, Calif. Then, for four months, the film will be shown only on the gigantic screens in 75 IMAX theaters. (Our advice to moviegoers: sit in the back!) And to camouflage a high-art stigma, F2K employs genial onscreen hosts: Bette...
...weeks ago, Kaplan gave his most significant performance yet. He led the London Philharmonia Orchestra through his signature piece on the opening night of the prestigious, snooty Salzburg Festival, not far from one of the Alpine lakes where Mahler composed the sprawling, five-movement work a century ago. Predictably, some critics did dismiss the event forthwith. "A multimillionaire's cold flirt," complained one; "no trace of Viennese charm," groused another. Austrians have long been loath to admit that anyone other than themselves can properly perform the Austro-German classics, and few would care to admit to an American's mastery...
...they await cues, tempos, phrasing instructions and a host of interpretative intangibles from the guy who's waving a baton at them. If Kaplan at Salzburg did not bring to mind a slick stick like Riccardo Muti or Valery Gergiev, his intense, attentive manner in front of the Philharmonia, the Vienna State Opera Chorus, mezzo-soprano Doris Soffel and soprano Rosa Mannion bespoke a firm grasp. Mahler's heaven-storming climaxes shook the Grossesfestspielhaus to its granite foundations, and anyone who did not feel a chill at the tremendous peroration must either have been dead or Austrian...
...such daunting dodecaphonists as Arnold Schoenberg, Luigi Nono and Elliott Carter. His conducting career began as an adjunct to his composing at the Sibelius Academy, but it took off in 1983 when he stepped in for Michael Tilson Thomas on a week's notice to lead the London Philharmonia in Mahler's woolly mammoth, the Symphony No. 3 -- despite the fact that prior to the call he had never even looked at the score...