Word: phantoms
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Dates: during 1990-1999
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...Broadway impresario, who has spent a half-century creating musicals such as Evita, Cabaret, Company and Phantom of the Opera, was appalled to learn that the June ceremony's network telecast did not include any mention of authors, designers, directors or choreographers...
...fact, many of the titles listed here offer an experience superior to going to the movies. Lucas Arts' Star Wars game far outshines the altogether dismal film prequel offered in The Phantom Menace. Gamemakers are starting to pull in big names. James Earl Jones, for example, stars in Command & Conquer's latest outing, while David Bowie is the driving force behind the forthcoming Omikron. Indeed, game designers are starting to act like directors--guys like Sid Meier (Alpha Centauri) and Adrian Smith (Tomb Raider) who closet themselves in high-end studios for two years at a time, ceaselessly fine-tuning...
...Externalist case, whose origins are noble enough, undergoes chemical change and becomes mere black racism and inchoate hatred--an intoxicating but evanescent luxury, like a cocaine high. Activism hardens into chronic, unappeasable grievance. As Horowitz says, "The phantom of institutional racism allows black leaders to avoid the encounter with real problems within their own communities, which are neither caused by whites nor soluble by the actions of whites, but which cry out for attention...
...greed and corruption, a horrifying subplot explaining the psychological warping of Ichabod, and several impressive fight scenes in which the decapitations have an especially martial flare. (Star Wars fans may notice similarities between the headless sword-wielding skills and the light saber moves of Darth Maul in The Phantom Menace. They're played by the same actor, Ray Park...
...executive producers of this inspirational film, which celebrates Mary's faith and wisdom. While the teleplay admittedly takes dramatic license, it is true to the Gospels. The dialogue is refreshingly unstilted, and the spare, understated performances of newcomer Melinda Kinnaman as the young Mary, Pernilla August (The Phantom Menace) as the mature Mary, and Christian Bale (Velvet Goldmine) as Jesus are credible and moving. One cranky question: Why do American filmmakers always insist that biblical figures spoke with British accents...