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...progressive build that highlighted the orchestra’s flutes.Perhaps most impressive was the orchestra’s ability to avoid the maudlin bombast typically endemic of Wagner. From the almost minimalist interchange between the orchestra’s components to the gorgeous emotion evident on the performers?? faces during the mountainous crescendos, no musical phrase was left incomplete, and no thought left unfinished. Yannatos and HRO exhibited a striking ability to rein themselves in, a habit that not only augmented the more fragile tonalities of the piece but which would also continue throughout the night...

Author: By Garrett G.D. Nelson, CONTRIBUTING WRITER | Title: Jackiw Powers Through Brahms | 4/23/2006 | See Source »

...performers. In the opening­­ number of the evening performance on Friday, classical dancers wore ankle bells­­­—the “ghungroo” that gives the show its name. In this dance known as Mallari, the performers?? stomping provides their own musical accompaniment, revealing the athleticism and strength necessary for many acts in the production. The following number, a Marathi folk dance, combined male and female dancers and humorously pitted them against one another. In this work choreographed by Utpal N. Sandesara...

Author: By Henry M. Cowles, CRIMSON STAFF WRITER | Title: Ghungroo Rings in the Fun and Funny | 3/6/2006 | See Source »

...Harvard musical experience. However, she notes that there are virtually no other concert artists on Harvard’s faculty, and that Levin’s performance schedule means his presence is “necessarily limited.”Through its “Learning from Performers?? series, the OFA brings well-known artists to campus to run workshops and master classes throughout the year. Past guests have included Quincy Jones, Lynn Harrell, and Yo-Yo Ma ’76. In addition, members of the Ying Quartet, who act as Blodgett Artists in Residence, are available...

Author: By Ndidi N. Menkiti, CONTRIBUTING WRITER | Title: Could NEC Save Music Training at Harvard? | 12/15/2005 | See Source »

...logical. But we understand that communication is often hard to foster between groups, so we applaud the impressive and interested outreach of both groups. This cooperation made it possible to secure seven comedians hailing from Saturday Night Live, the Tonight Show, and Curb Your Enthusiasm—on the performers?? own time, free of charge. That the HCC and ERC were able to approach and convince performers of this caliber is a testament to the level of success that can be achieved with appropriate planning and organizing. The charitable nature of the show undoubtedly contributed greatly...

Author: By The Crimson Staff, | Title: Comic Relief | 12/13/2005 | See Source »

...jazz world for ceaselessly shattering musical boundaries. This weekend, the Harvard Office For the Arts (OFA) and the Harvard Jazz Bands are bringing the 47-year-old clarinetist to campus as an Artist-in-Residence for the OFA’s ongoing “Learning with Performers?? series. Byron is a rare breed of jazzman. Few choose to specialize in the clarinet. Few modern jazz artists are unafraid to be explicitly political; Byron routinely gives his compositions titles like “(The press made) Rodney King (responsible for the LA riots).” Fewer still...

Author: By Kimberly E. Gittleson, CONTRIBUTING WRITER | Title: Jazzman Testifies to Students | 12/8/2005 | See Source »

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