Word: performersã
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...technical staff of 30, “Der Rosenkavalier” is indeed a massive undertaking for LHO, which is an all-volunteer company. In order to assemble the personnel necessary, LHO reached out to members of the Boston community—particularly young performers??who make up the majority of the cast this year. “[The show is] not done often because it’s so big, especially in Boston where there’s a heavier emphasis on early music,” says...
...never did—but thank goodness because the performers?? fantastic indolence turned out to be the brilliant defining factor of “Heartbreak House,” which played in the Adams Pool Theatre this past weekend...
...production, the show’s producers opted not to convert the Adams Pool into a hockey rink. Instead, the performers wore rollerblades and, with the assistance of Anna E. Pasternak’s ’07 inspired choreography, delivered a reasonable simulacrum of ice dancing. The performers?? unsteady, and sometimes downright clumsy, skating resulted in several Chaplin-esque pratfalls, but these “mistakes” only added to the musical’s antic energy. Of the evening’s innumerable gags and spoofs the only joke to fall flat was the ironic...
...sonically gluttonous looking for more than the groups featured above, Sunday’s Band Fest, a rapid-fire series of a dozen bands (one every half-hour) from 12-5:30 p.m. in front of Holyoke Center, should delight. Promising to have something for everyone, the performers?? self-descriptions range all the way from alt-pop to pop/rock. Battle of the Bands victors Maya, along with ever-popular groups like Major Major and the Dharma Seals, will participate, and the event should be worth watching if just to see each band cram set-up, performance, and disassemble...
...left in a complexly interwoven and motive-driven formation. “Talisman” best utilized the intense musicality of its original score, composed by Inyang M. Akpan ’07 and graduate student Angela Liu GSE ’06. Choreographed and performed by Learning from Performers?? visiting artist Rachel A. Cohen ’95, the last number of Act I used props in such a way as to depart from any previously identified form of dance performance.Cohen forced a new spin on the mundane with her study of movement with household objects like...