Word: performancesã
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Dates: during 2001-2001
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...never understood. While the record labels are ambivalent to online distribution, the real resistance in the industry comes from the performing rights organizations like the American Society of Composers, Authors and Publishers and Broadcast Music, Inc. These organizations manage the royalty collection and distribution for “public performances?? of music, like the placement of a song on a movie soundtrack or its use in a bar’s karaoke machine. In recent years, they have increasingly brought the distribution of music on the Internet under their control. And because these organizations are accustomed to charging...