Word: peasants
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Dates: during 1920-1929
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...Christoph Friedrich von Schiller conceived the character of Luisa Miller, made her the unhappy heroine of his play Kabale und Liebe. Italian Poet Salvatore Cammarano fashioned the opera libretto from the Schiller piece, aptly labeled the acts Love, Intrigue, Poison. The scene is in the Tyrol. Luisa, a beautiful peasant, loves Rodolfo who turns out to be the son of the village's haughty overlord. He would forbid their marriage, arrest Luisa and her doting father. But Rodolfo, Hamletwise, knows of the murder which won his father his titles and his wealth, threatens him with exposure. Intriguer Wurm then...
...kingless Kingdom of Hungary is still a country of great landed estates in the hands of a few very wealthy men. Far more than cash does the ownership of even a few acres of land bring prestige to a Hungarian peasant. "Land hunger," greed to increase their holdings by hook or crook, is a besetting vice of the Magyar. Fear lest their acres should have to be subdivided is one reason why Hungarian landowners seldom have more than one child. Tenant farmers are notably more prolific...
Sons o' Guns. Jack Donahue is an awkward member of the A. E. F. Lily Damita, cinema favorite, is a bonny barmaid he meets behind the lines. In a village painted by Joseph Urban, peopled with an Albertina Rasch peasant ballet, echoing with nice tunes, they enjoy the most amiable war on record...
...Spain there once lived a dissolute nobleman named Don Juan Tenorio who, a trickster of gracious ladies and trusting peasant girls, committed the supreme effrontery of inviting to sup with him the marble effigy of an elderly commandant he had killed. Eerily enough the effigy accepted, appeared stark white at the riotous banquet hall. Awfully he warned his murderer to repent. When the swaggering Juan refused he was lapped accordingly into undying flames...
Pompous Beniamino Gigli was better as Don Ottavio; Elisabeth Rethberg sang primly as Donna Elvira, Editha Fleischer prettily as the peasant Zerlina. Credit for a satisfying performance, however, belonged not so much to the singers as to Conductor Tullio Serafin, who gave the score a glancing, crackling charm...