Word: painted
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Dates: during 1930-1939
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...level with those who file by him at official handshaking functions. Terribly tiring are all White House receptions, but worst is the diplomatic reception, social high light of the Washington winter season. With the aid of the "Siege Perilous"-so dubbed by Washington wits-Franklin Roosevelt came paint-fresh through the exhausting ordeal...
Last fortnight Broun celebrated his sist birthday, his 31st year as a newspaperman. A prodigious writer in spite of his pose of indolence, he figured that he had turned out close to 21,000,000 words. He had also managed to paint pictures, run for Congress, organize a labor union, make innumerable speeches, run a little weekly newspaper of his own, remember the Holy Sacrament, spend hours on end eating & drinking with his friends in such Manhattan night spots as the Stork Club...
When Artist Hoffman dislikes one of his pictures, he paints another over it. Failures lurk behind most of his canvases. Thus hidden is the painting that first brought him fame-Rubbish, which showed a derelict sitting next to an ashcan. "When I do a bad thing," he says, "I want to be the first one to know about it and the first one to destroy it. I can paint, I know I can paint...
Died, James Harvey Gravell, 63, president and only stockholder of American Chemical Paint Co., who three years ago paid off $100,000 in personal debts for 76 employees; of cancer of the liver; in Abington, Pa. In the last three years he issued $200,000 in bonuses. Reason for his beneficence: ". . . Partly selfish, for I have found that an employe free of debt is a happy and more efficient employe...
...equivalent for it which has a life of its won." Now this statement, though not applicable to all of Cezanne's work, is a simple, yet comprehensive summary of a very important aspect of the artist's style. And if we spend a few moments studying the three Cezanne paintings which are now being shown in Fogg Museum, we can begin to see the truth embodied in Mr. Phillips statement. Cezanne manages to create something besides the object which he is representing; and that "something" which he creates is the basis of his painting. Take the still-life piece...