Word: onscreen
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Dates: during 2000-2009
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...with Richardson huffing off and some dry old man saying, ruefully, "Families." This scene has the mark of something written expressly for Broadbent by Fellowes, but in Lytton Strachey's biography Queen Victoria, and again in Christopher Hibbert's, you'll find that scene, told exactly as it is onscreen. The only difference is that Blunt's Victoria doesn't burst into tears as the real princess apparently did; the movie heroine has more backbone...
...Avatar Onscreen Audiences got their first look at Avatar footage in July at San Diego's Comic-Con. When the trailer went online on Aug. 21, demand was instantaneous, quickly making it the most downloaded trailer at Apple.com The Avatar footage triggered a record 4 million streams in its first day. But the reaction wasn't all glowing. Some commenters likened the Na'vi to George Lucas' reviled CG character Jar Jar Binks, others to the '80s TV cartoon Thundercats. Those who saw the footage in theaters (it screened in select IMAX locations) were considerably more impressed, but the initial...
...some singers note that the show has a downside. The more popular Glee gets, the more audiences expect real-life singers to sound like the singers on it. That's a tall order when many onscreen songs may be getting a boost from pitch correction and other professional sound-enhancement technology. For instance, as Vinyl Street member and die-hard Glee fan Joanna Aven points out, there are only six singers onstage in the Glee version of "Don't Stop Believin' " - which became a top iTunes download and hit No. 4 on the Billboard chart, surpassing Journey's 1981 original...
...insults kids to suggest that simply watching Characters Behaving Badly onscreen means they'll take that as permission to do the same themselves. The fact that Glee is about a club full of misfits already makes it ripe gospel ground; Jesus was not likely to be sitting at the cool kids' table in the cafeteria. And it's set in high school, meaning it's about a journey not just to college and career but to identity and conviction, the price of popularity, the compromises we must make between what we want and what we need...
Many critics hailed French-language film “Caché” as a masterpiece of suspense cinema—a still from the film of Juliette Binoche and her onscreen husband Daniel Auteuil lovingly adorns the textbook foisted on all students taking Visual and Environmental Studies 70: “The Art of Film.” I have a theory, however, that those who praised the movie were simply trying to mask their incomprehension at the never-ending shots of the same nondescript house. Not that it’s their fault; it?...