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...Academy of Media Arts, which she co-founded in 1988, has established a unique curriculum. Whereas elsewhere visual art fields are largely taught separately, the Academy advocates the integrated teaching of film, television, art, design, and theory. After studying at the Hochschule für Gestaltung Offenbach, the Annenberg School of Communication, and the Tisch School of the Arts, Hagebölling decided to synthesize these media into one field of study: Audiovisual Media. “Light, kinetics, space, performance, energy—these are the roots of the work we are doing at the Academy...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Hagebölling Explores New Intermedia | 4/6/2010 | See Source »

...pompous posturings. The delightful storybook production by Charles Ludlam, founder of New York's Ridiculous Theatrical Company, turns the opera into a tragicomedy in the vein of a 19th century melodrama, but one with a pointed moral. In a season that also includes Mozart's The Marriage of Figaro, Offenbach's Orpheus in the Underworld and Strauss's neglected Die Liebe der Danae, Santa Fe has proved once again that it is the most adventurous, if not to say eclectic, opera company around. --By Michael Walsh

Author: /time Magazine | Title: Music: When the Style Is No Style | 4/18/2005 | See Source »

...opera. This spring Dunster House offered a splendid performance of "Tales of Hoffmann." Some quite fine thespians and a refreshingly superb orchestra, coupled with the often ribald and vaudvillean tone of Jacques Offenbach's opera, provided a high caliber and rollicking fun performance...

Author: NO WRITER ATTRIBUTED | Title: ARTS YEAR IN REVIEW | 6/5/1997 | See Source »

Recalling his German roots, Offenbach combines Oktoberfest-inspired scenes of tavern life and male-bonding-over-beer with the equally Teutonic theme of sensitive young men pining over that special Fraulein. (Think Goethe.) In this opera, the eponymous character Hoffmann (Jerry Shuman) dreams of not just one Fraulein, but a trinity of them who together form that elusive ideal--the perfect woman...

Author: By Elisabetta A. Coletti, | Title: Dunster House Opera Spins Rousing 'Tales' | 2/20/1997 | See Source »

...should be mentioned that producer John Cearley and his directors daringly chose to tackle an obscure and risky sleeper of an opera in "Hoffmann"--foregoing the insurance of a familiar crowd-pleaser like "The Marriage of Figaro" or "La Boheme." Although Offenbach was referred to as the "Mozart of the Champs-Elysees" earlier in his career, "The Tales of Hoffmann" was his first real opera, departing from his jokier opera-bouffe compositions of the past...

Author: By Elisabetta A. Coletti, | Title: Dunster House Opera Spins Rousing 'Tales' | 2/20/1997 | See Source »

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