Word: nightclubs
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Dates: during 1940-1949
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Pianist Tatum sat at a corner table, his customary bottle of beer before him, and admitted he was tired of the grind of nightclub shows, sometimes thinks of retiring to his home in California with his wife and two Doberman pinschers. But as the intermission pianist swung into a chorus of Basin Street, he turned his head attentively. "He's got some good ideas," he said. "You can't create everything. You hafta listen to the other fella." His strong fingers flexed in an imaginary run. "I'm always tryin' new ideas. No matter...
After his work for Director Reed, Karas had returned to his Vienna café. Last week, with 300,000 records sold and nightclub bands and hurdy-gurdies playing his tunes (Harry Lime Theme, The Café Mozart Waltz), Karas flew back to London for a share of the bravos. At his opening at the Empress Club, Princess Margaret and a party of playmates including Sharman Douglas and the Marquess of Blandford arrived three hours early, got him to play Margaret's favorite (Harry Lime Theme) six times. Next night, with King George in the audience, he was introduced...
Ernie Byfield, Chicago hotelman and nightclub impresario (the Pump Room, the College Inn), reached 60, took a dim view of the bistro business: "Nightclubs are like gold mines. For every ten bucks you put in, one buck is extracted . . . Old nightclubs and old streetwalkers are the same. The older they get, the less money they take...
...weeks ago, when the Sadler's Wells company of 65 bundled into two Constellations bound for New York the dancers were weighed down with uncertainty. It was costing $50,000 to bring them on their first visit to the U.S.-a place where ballet, while spreading to every nightclub and skating rink, had lost some of its popular appeal and much of its professional standing. The British Council, which would be called on to make up any losses, had bid them godspeed with the air of men watching $50,0000 or more go up in smoke. Cagey Ballet Importer...
...film has enough seamy passion, sordid heroism, and familiar props (a smoky nightclub like the one in Casablanca, repeated torch-singing of a Tin Pan Alley tune) to make it a caricature of a Bogart film. Wearing his old trench coat and mouthing a cigarette. Bogart returns to Tokyo after the war to start a small freight airline backed by a blank-faced racketeer (oldtime silent Cinemactor Sessue Hayakawa). By the time the comic-book plot has run its course, Bogart has saved his ex-wife (Florence Marly) from exposure as a Tokyo Rose, stopped the infiltration of war criminals...