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Among the reasons for choosing Moody for this recognition, Everett explains, was the musician’s innovation and influence in the jazz style of Bebop in the late 1940s, his musicianship with the flute as well as the tenor and alto saxophone, and his love for the music he creates. In addition, Moody is able to make his music accessible, while never abandoning his personal style...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: OFA Honors Moody's Jazz | 4/6/2010 | See Source »

...February 5 to May 1, was a pleasant surprise. The show, which featured Kenny Barron on piano, Regina Carter on violin, Kurt Elling on vocals, Russell Malone on guitar, Kiyoshi Kitagawa on bass, and Johnathan Blake on drums, featured a beautiful display of some of the best mainstream jazz musicianship on today’s scene. The concert wasn’t hip, and it certainly didn’t draw the young audience the organizers had hoped for, but the atmosphere was upbeat and the musicians, at their best, swung mean...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Monterey Jazz Festival On Tour Hits All the Right Notes | 2/17/2010 | See Source »

...positive, not depressive, material. Pearl Jam have finally achieved a kind of comfortable maturity, most evident in the album’s pace. “Backspacer” has several of the slower, contemplative songs that have often been the best showcase for the band’s musicianship and Vedder’s vocals. In the past, the ballads were let down by overbearing, even clumsy lyrics; now, the lyrics are simpler but also more poignant. “Oh, I’m a lucky man / To count on both hands / The ones I love / Some folks...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Pearl Jam | 9/25/2009 | See Source »

...most amazing explosions of creativity in the history of songwriting, a three-album epiphany--Bringing It All Back Home (1965), Highway 61 Revisited (1965) and Blonde on Blonde (1966)--in which cascades of surrealistic, high-art lyrics were married to the most elegant rock-'n'-roll musicianship. That was brought to a violent stop by Dylan's near fatal motorcycle crash in 1966, and when he resumed, the music--even the sound of his voice--was different...

Author: /time Magazine | Title: Bob Dylan: Time For One More Change? | 5/11/2009 | See Source »

...than the opener, distinguish themselves as strong contenders for spots on his previous records. “I Feel A Change Comin’ On” has all the charm and satisfaction of the more hopeful songs on “Modern Times,” with polished musicianship and a luxurious pace. “Shake Shake Mama,” a blues workout as simple as its title, would be right at home on “’Love and Theft.’” The remainder is largely more obvious mimicry?...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Bob Dylan | 5/1/2009 | See Source »

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