Word: musically
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
...Some people play [music] at excessive volumes, but sometimes [Thomas] is ridiculous," said Bryan Garrett '93, who lives on the side of Greenough facing the courtyard. "He doesn't want anyone doing anything in the backyard--if you read too loud, he comes...
...final member of the cast is Sax (Henry Dormitzer). Sax provides the well-integrated music of the drama; although he doesn't contribute to the dialogue of the play, his musical performance is vital to the production. It was Shepard's intent to create an indefinite college effect with both characterization and music, and Kupferberg's direction and Dormizer's music achieve this goal admirably...
PRODUCTION: Gail Music (Manager); Stephen F. Demeter (Systems Manager); Joseph J. Scafidi (Deputy); Trang Ba Chuong, Theresa Kelliher, Peter K. Niceberg, L. Rufino-Armstrong, Lee R. Sparks (Supervisors); Robert L. Becker, Silvia Castaeda Contreras, Osmar Escalona, Garry Hearne, Nora Jupiter, Agustin Lamboy, Jeannine Laverty, Marcia L. Love, Janet L. Lugo, Peter J. McGullam, Sandra Maupin, Helen May, Michael Skinner Graphics Production: Kenneth Collura, Linda Parker, Lois Rubenstein, Simon Tack...
...Keillor thinks up a lot of good material as he mumbles. Thus the new show: recycled mugger-repellent. What kind of new show? Some comedy, centered more in the present than the nostalgic P.H.C. was, he said a few days before the first broadcast. But mostly "fine, classic American music; music to make people throw babies in the air." Tunes for the old show, which he closed with a teary farewell broadcast in June 1987 (tearier second and third farewells followed, and a fourth is plotted for next June), tended to be guitar-based bluegrass and country, not counting...
...classy 16-piece orchestra, no less, anchors the A.R.C. series, most of whose broadcasts will come from the Majestic Theater in Brooklyn, a spectacularly decayed old burlesque house belonging to the Brooklyn Academy of Music. The first broadcast detonated with a finger-snapping zum-bum-ooo-ooo singing group called True Image, headed uptown with show tunes swung elegantly by soprano Eileen Farrell, the diva who stops being 70 when she opens her mouth, then went gloriously low-down with Jelly Roll Morton tunes by pianist Butch Thompson, the fine St. Paul barrelhouser from the P.H.C. days. Flying babies filled...