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Word: musically (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...such devices as standard harmonic progressions or even the modern "tone row." Instead, it sustained for page after page a single chordal theme, varied only with starkly primitive rhythm in the orchestra and percussion-punctuated declamation by the singers. The work was typical, too, in its close welding of music to text (by 18th century German Poet Friedrich Hölderlin). The oddly assorted orchestra-which included four pianos for eight players, four harps, a glass harmonica, marimbaphone, xylophones, bongos, congas, gongs and no strings except for nine double basses-served less to score Sophocles' tragedy than to underscore...

Author: /time Magazine | Title: Music: Orff's Oedipus | 12/28/1959 | See Source »

...like a microphotograph of a germ culture) and raising his sightless eyes with a beatific smile. Soprano Varnay refused to watch from the wings because "I dream about such things." Reported TIME Correspondent Paul Moor: "For a non-German-speaking audience, this opera has long, boring stretches because the music is so subservient to the text. Nevertheless, Orff has created a theater work of gripping power...

Author: /time Magazine | Title: Music: Orff's Oedipus | 12/28/1959 | See Source »

...Headaches. At 64, Composer Orff is more confirmed than ever in the direction he took in 1936, when he completed Carmina Bur ana, his first major work, and ordered all his previous manuscripts destroyed. Orff totally rejects the idea of "pure music," never writes for the concert hall. He places such importance on the texts of his "dramatic cantatas" that he will permit none of them to be translated, although he himself seems intrigued by foreign idioms. When working on Oedipus, he decided to write the musical directions in Italian, the stage directions in Latin, e.g., the entrance...

Author: /time Magazine | Title: Music: Orff's Oedipus | 12/28/1959 | See Source »

...family spirit," said Lenny. Each man had the background to make the party a serious success. Manager Moseley studied piano under famed Teacher Olga Samaroff, was a fellow student of Leonard Bernstein at Tanglewood in 1941. Later, Moseley spent five years (1950-55) as director of the School of Music at the University of Oklahoma. Sugar Baron Keiser, Harvard '27, won a Juilliard scholarship after graduation, studied piano under Ernest Hutcheson before he took over the family business (Cuban-American Sugar Co.). Keiser still gives concerts near his home in Connecticut. After ripping through his last cadenza with...

Author: /time Magazine | Title: Music: Family Party | 12/28/1959 | See Source »

...Music, Bernstein...

Author: /time Magazine | Title: CINEMA,TELEVISION,THEATER,BOOKS: Time Listings, Dec. 28, 1959 | 12/28/1959 | See Source »

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