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Word: museum (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...show has been mounted that gives Bird both a family and an ancestry. It traces for the first time the full development of the canny, determined peasant's son who literally walked to Paris from his native Rumania to become an artist. Currently installed at the Philadelphia Museum of Art, the show was initiated by Director Thomas Messer of New York's Guggenheim Museum. Messer's biggest triumph was to get Rumanian museums and collectors to release six works of their country's most celebrated modern artist. Loans from other owners (including Paris' Museum...

Author: /time Magazine | Title: Art: Brancusi: Master of Reductions | 10/17/1969 | See Source »

...lifetime of satisfaction in the transformation of simple animal forms into elegant shapes. When old age stopped him from working, Brancusi spent his days fondling his precious "children," as he called his sculptures, covering them with dust cloths every night. And when he willed them to Paris' Museum of Modern Art, he did so on the condition that they be displayed in an accurate reconstruction of the crowded Montparnasse shack in which he-and they-spent so many happy years together...

Author: /time Magazine | Title: Art: Brancusi: Master of Reductions | 10/17/1969 | See Source »

...Program of Contemplation on Vietnam. (Slides and music.) Christian Room. Fogg Art Museum...

Author: NO WRITER ATTRIBUTED | Title: Moratorium Schedule | 10/15/1969 | See Source »

...accelerated pulse of art movements today-almost become venerable. As a sure sign of esteem, New York's Guggenheim is now holding a retrospective of the comic-strip-inspired works of Roy Lichtenstein, and the saggy, baggy sculptures of Claes Oldenburg are on display at the Museum of Modern Art. The Whitney Museum, not to be outdone, will exhibit another major Pop artist, Jim Dine, in February...

Author: /time Magazine | Title: Art: The Venerability of Pop | 10/10/1969 | See Source »

Jean-Luc Godard would certainly resent the comparison, but he makes movies the way some manufacturers make washing machines-with planned obsolescence. Only a few years after their release, Godard films become museum pieces. His innovations are adopted by other film makers, who (like Haskell Wexler in the kinetic Medium Cool) either put his techniques to better dramatic use or (like Agnes Varda in the festival's ludicrous Lions Love) sink beneath the weight of aimless stylistic decoration. Le Go/ Savoir features Jean-Pierre Léaud and Juliet Berto sitting around a TV studio engaging...

Author: /time Magazine | Title: Festivals: Modest Fame | 10/10/1969 | See Source »

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