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Word: museum (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...other writer like Margaret Mitchell; such others as Caroline Miller (Lamb in His Bosom); Evelyn Hanna (Blackberry. Winter); Harry Lee (Fox in the Cloak); a tolerated museum of art, music club, theatre guild...

Author: /time Magazine | Title: GEORGIA: Crossroad Town | 12/25/1939 | See Source »

Last week there was a party in Mrs. Rice's forbidden room. The room had been moved to Philadelphia's Museum of Art (to which Mrs. Rice willed it), but the goings-on might well have furrowed Mrs. Rice's brow. For 500 socialites crowded in among the priceless bric-a-brac, to munch chicken a la king and sip punch. No damage was done. But ordinary visitors will not be allowed to scuff across the room's Savonnerie carpet, made for Louis XIV, or sit in its superbly upholstered chairs. From behind ropes the public...

Author: /time Magazine | Title: Art: Brother-in-Law | 12/25/1939 | See Source »

Though the Philadelphia Museum of Art welcomed Mrs. Rice's drawing room, it would welcome still more warmly a gift from her brother-in-law, Joseph Early Widener. A leathery, meticulous Philadelphia patrician, Joe Widener inherited his father's great art collection, has made it even greater by ruthless pruning. In Lynnewood Hall, Widener's vast Georgian mansion at Elkins Park, Pa., now hang 105 paintings-all good, some masterpieces...

Author: /time Magazine | Title: Art: Brother-in-Law | 12/25/1939 | See Source »

...Widener has long let it be known he would leave his collection to the public. It had always been assumed that the Philadelphia Museum of Art would get it. But this autumn the art world has buzzed with a rumor that the Widener art would go instead to the Mellon-endowed National Gallery of Art, now abuilding in Washington. Joe Widener has kept...

Author: /time Magazine | Title: Art: Brother-in-Law | 12/25/1939 | See Source »

...remaining paintings by Cezanne which can be found in the museum are landscapes containing that rather full-bodied cubistic tendency which is typical of the artist. Rolling hills, solid mountain, and a general structure based upon gradually receding planes, comprise the basic elements of the pieces. It is difficult to say, as many do, that Cezanne is a painter who appeals primarily to the intellect. Despite the fact that his style is one the foundation of which rests in a mental concept of his subject, his feeling for shape and his comprehensive power of suggesting texture and quality, serve...

Author: By Jack Wilner, | Title: Collections & Critiques | 12/18/1939 | See Source »

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