Word: monteverdi
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Dates: during 1960-1969
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Cavalli: L'Ormindo (Argo). Something practically unheard-of: an authentic, workable masterpiece miraculously retrieved from the past. One of the 17th century Venetian composers influenced by Monteverdi, Francesco Cavalli wrote melodiously, with great penetration into the personal relationships of his characters. The present recording stems from an edition pieced together by Raymond Leppard from musical fragments for a Glyndebourne production in 1967. The result is musically and dramatically spellbinding...
EDINBURGH INTERNATIONAL FESTIVAL (Aug. 24-Sept. 13) this year has an Italian slant, featuring works by composers from Monteverdi and Corelli to Dallapiccola and Nono. Opera predominates, but the London Symphony Orchestra, the New Philharmonia, and such soloists as Pianists Claudio Arrau and Misha Dichter, Violinists Itzhak Perlman and Nathan Milstein, can also be heard in nonoperatic works from Brahms to Stravinsky...
...eternal mystery is that an artist who seemed to his contemporaries so backward-looking should seem to his successors so forward-looking. Compared with Monteverdi or Beethoven or Schoenberg, he was not an innovator. Historically Bach's distinction was to summarize and culminate all the musical developments that led up to him. But he did this with such subtlety and daring, such piety and passion, that he ended up reconciling, completing and extending everything he touched, thereby preparing music for the centuries ahead. It has been said that the history of philosophy consists of a series of footnotes...
WITH singular integrity the Cambridge Society for Early Music last Wednesday evening avoided the institutionalized classics of antiquity, particularly those Interesting Historical Figures Palestrina, Monteverdi and Gabrieli, to present two pivotal and masterful liturgical compositions. These were the Musikalische Exequien (1636) of Heinrich Schutz, and the Vesperae de Dominica (1779) of Mozart. The first work was instrumental in transferring musical hegemony from Italy to Germany, while the Mozart work illustrates that composer's bursting maturity, a maturity which would soon reach its highest achievement in his church music with the great unfinished Mass in C minor...
...died in the world of Corneille and Racine, was the greatest German composer before Bach. His surpassing importance as one of music's choral masters is exceeded only by his inexplicable anonymity. He absorbed the colossal Baroque style of Giovanni Gabrieli as well as the audacious innovations of Monteverdi, both Schutz's contemporaries and teachers, to forge a colorfully formal, intensely spiritual, quietly progressive style. In its unorthodox form, the Exequien looks forward to the cantatas of Bach and the oratorios of Handel. The work is characterized by an evangelical passion which perhaps only Bach and Verdi, in his singularly...