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Word: monsters (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Perhaps if Mr. Kintner spent less time crouching before sponsors, he might not "find it difficult to be philosophical." Possibly he would discover a first principle to give desperately needed direction and purpose to the headless monster...

Author: /time Magazine | Title: Letters, Dec. 7, 1959 | 12/7/1959 | See Source »

...burly driver was grinning like a schoolboy. On a trial run, his speedometer had climbed past 260 m.p.h. as he shot his new jet-powered, aluminum-hulled Tempo-Alcoa over the startling blue surface of Nevada's Pyramid Lake. Driver Les Staudacher knew that the sleek water monster he had designed was ready for an official try at the world record of 260.35 m.p.h. held by Britain's Donald Campbell and his Bluebird...

Author: /time Magazine | Title: Sport: Flight over Pelican Point | 12/7/1959 | See Source »

What the new league needs far more than big talk is big players like Linebacker Sam Huff. Down in Consol No. 9, back in Farmington, W. Va., a monster engine pulls loads of coal out of the mine, and still has enough power left over to do half a dozen other jobs. Nickname of the engine: the Sam Huff Special. "By jingo," says the proud father of the finest linebacker in the world, "it pulls an awful load...

Author: /time Magazine | Title: Sport: A Man's Game | 11/30/1959 | See Source »

...apparatus, but carries no party card. Young Mark Ampler, a U.S. security agent who enrolls at Bloch's university to keep tab on the physicist promptly falls under his spell. Pearl Harbor packs Mark off to war and sets Sebastian fervently to work on the Bolt, or the Monster, as Author Chevalier interchangeably calls the atom bomb. At war's end, a grieving, disbelieving Ampter discovers that Sebastian has made him the butt of something very like the "Chevalier incident...

Author: /time Magazine | Title: Books: Oedipus at Los Alamos | 11/2/1959 | See Source »

...lovers in a park makes black, white and red stand for all the colors of the rainbow. In Watteau, love and laughter blend into one. To round the gallery corner to Goya's Two Prisoners in Irons can be like taking a header off a cliff. Unlike the monster-painters, whose malformed "images of man" are the latest art fad (TIME, Sept. 7), Goya made the victims of inhumanity-in this case, obviously a chained father and son-touching by the simplicity of their unadorned humanity. Instead of titillating the mind with sadistic fantasies, Francisco Goya dizzies the heart...

Author: /time Magazine | Title: Art: GREAT DRAWINGS | 10/26/1959 | See Source »

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