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...oldest of the three, is distinct from the program’s bookends, focusing on the strangely captivating, almost hypnotic qualities of sand. The subject of every shot is either a macroscopic—an entire desert vibrating in the wind—or a microscopic??singular grains tumbling one over the other—perspective of sand. The grains themselves complement and enrich the grain-like quality of film, and the bluish filtering that Dorsky builds through use of internegatives gives each frame an alien, otherworldly quality.“Winter,” the companion piece...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: LINEAR PERSPECTIVE: Nathaniel Dorsky | 12/12/2008 | See Source »

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