Word: mezzosoprano
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...Haydn's vocal works are the intimate English Canzonettas, simple setting of poems by Anne Hunter that prefigure the great lieder of Schubert and his contemporaries, and the cantata "Arianna a Naxos". These are coupled on a revelatory new disc from Virgin Classics' Veritas line (number 91215), with mezzosoprano Carolyn Watkinson and Glen Wilson at the fortepiano...
...performs a cappella pieces as well as choral/orchestral works, has been working on the St. Matthew's Passion since November. The Passion requires eight choral parts as well as eight solo parts. Tonight's performance will feature seven solo performances: Nancy Armstrong will sing soprano; Gloria Raymond will sing mezzosoprano; Jon Humphrey and Frank Kelley will sing tenor; Sanford Sylvan and Thomas Jones will sing baritone, and David Ripley will sing the bass part...
...performers. Though so many performers are drawn from outside the College--long-standing, misguided G & S Players practice--the strongest and most professional performance in the operetta comes from a freshman: Nan Hughes as Tessa, one of the gondoliers' brides. Hughes is a natural actress, and her commanding, sensuous mezzosoprano is the vocal equivalent of chocolate-chocolate chip ice-cream. Margery Hellmold's performance as Casilda is further proof that first-rate singers enroll at Harvard: her soprano has a rare purity and vigor but never becomes inappropriately operatic...
...radio just now that breathes ecstatically about "Southern Nights" just now when summer looks when it might be making a final long-awaited appearance but if you are a properly brought up culture-vulture you will probably go for Hector Berlioz's "Nuits d'Ete." Janet Bedell, mezzosoprano, and Robert Cohen, pianist, will present this recital in Holmes Hall Living Room...
...thought out and excellently proportioned among the voices. As for the seven soloists, the men were more distinguished than the women in regard to vocal blend if not phrasing, with Daniel Collins, the countertenor, David Evitts, the baritone, and Mark Pearson, the bass-baritone, producing the finest singing. The mezzosoprano and soprano, Jan Curtis and Susan Stevens, sounded totally alien, much as if one were simultaneously listening to a barrel-organ and a celeste. The choir was improperly overbalanced by the women, except in the Gloria, who smiled eloquently but sang somewhat carelessly. The contrabass continuo was consistently too loud...