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Word: melodramas (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Cruise has his best shot in a sprawling, squalling film on Hollywood's favorite serious subject. Born on the Fourth of July, directed by Oliver Stone (Platoon), is a Viet Nam melodrama pitched at high decibel level for 2 hr. 23 min. The movie is a jeremiad not just against the war but also against the cultural authorities who encouraged it from the pulpit, the blackboard, the dining-room table and the movie screen. This is an anti-Hollywood movie too; everything that was terrific in, say, Top Gun -- the war, the sex, the male bonding -- is found...

Author: /time Magazine | Title: Cinema: Tom Terrific | 12/25/1989 | See Source »

HARLEM NIGHTS. Making his directing debut, Eddie Murphy can't seem to decide whether to go for laughs or melodrama. His movie about the great Harlem nightclubs that flourished in the '30s generates a lot of foul-mouthed noise but only fitful, murky light...

Author: /time Magazine | Title: Critics' Voices: Dec. 11, 1989 | 12/11/1989 | See Source »

...they achieve an emotional bond -- a standard for hospital melodrama -- but in reveries rather than everyday contact. The patient becomes a stand-in for the nurse's dead mother; the nurse is transformed into the patient's long-lost sister, then an estranged daughter. The little dramas of hospital routine thus become freighted with the burdens of decades. Trivial exchanges achieve the dimensions of catharsis. Puig deftly interweaves other themes, including the oppression of all women under Latin machismo and the extent to which South Americans may still defensively see theirs as a colonial culture...

Author: /time Magazine | Title: Theater: Dreamscapes | 12/11/1989 | See Source »

...narrative Murphy develops out of this situation is less a homage to a vanished genre than a knock-off of two more recent successes -- The Sting and Prizzi's Honor -- that were funny, but in antithetical, unblendable ways. The movie veers uneasily from not-funny comedy to not-persuasive melodrama. Murphy forgets that the dialogue in old- fashioned crime pictures was as highly stylized as the settings. In place of sharply polished wisecracks, he gives us the steady mutter of the witless, unfelt obscenities that are the argot of our modern mean streets...

Author: /time Magazine | Title: Cinema: Murphy's One-Man Band | 11/27/1989 | See Source »

...generation he was Heathcliff and Hamlet; for another, the wily granddad of movie melodrama. And for the ages this prodigious, protean figure was our century's greatest actor...

Author: /time Magazine | Title: Vol. 134 No. 4 JULY 24, 1989 | 7/24/1989 | See Source »

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