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Andrew Sullivan: The Resistance Manifesto, June...

Author: /time Magazine | Title: Iran Election: Khamenei Calls for National Unity | 6/16/2009 | See Source »

...years since the Italian futurists declared in a manifesto their intention to find a new way of representing "our whirling life of steel, of pride, of fever and of speed." They loved modernity and machinery, and the movement's founder, Filippo Tommaso Marinetti, even welcomed war as "the world's only hygiene...

Author: /time Magazine | Title: The Past of Futurism at the Tate | 5/28/2009 | See Source »

...Technical Manifesto of Futurist Painting declared: "The motor bus rushes into the houses which it passes, and in their turn the houses throw themselves upon the motor bus and are blended with it." Carlo Carrà captured this energy in the kaleidoscopic What the Tram Told Me (1911), while Umberto Boccioni conveys the rush of rail travel in his triptych States of Mind (1911). The second painting in the series, Those Who Go, depicts giant dreaming heads swept along with fragmentary buildings, leaving faded gray figures marooned on the platform in the third panel, Those Who Stay...

Author: /time Magazine | Title: The Past of Futurism at the Tate | 5/28/2009 | See Source »

...Which may help explain why officials opened the congress with a manifesto that called on national and international authorities to "avoid adopting measures that unnecessarily hurt the pork sector." (Needless to say, the statement referred to the virus as H1N1, not swine flu.) A few days earlier, Russia had banned the import of Spanish pork products in response to the relatively high number of swine flu cases in Spain. For Anatoly Gendin, a reporter covering the conference for a Moscow-based culinary magazine, the ban is simply a measure of caution. "It's not always easy to explain the fine...

Author: /time Magazine | Title: What Swine Flu? Spain Celebrates Cured Ham | 5/12/2009 | See Source »

...Russia full of riders, onion domes and walled towns. But even in these first paintings, bright colors were used for effect, not naturalism - trees could be red, hills and horses blue. Pure color would become the central focus of his best works, a focus he pondered in his 1911 manifesto of abstraction, Concerning the Spiritual in Art. Art, he wrote in the book, comes from within, from "inner necessity," and colors and shapes speak to people just as musical sounds do: "Color is a power which directly influences the soul." Contemporary Russian mystic Helena Blavatsky had preached that...

Author: /time Magazine | Title: Kandinsky: A Bright Future, Once | 4/27/2009 | See Source »

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