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...painter Cavaradossi (Jeffrey M. Hartman), Tosca’s lover, is not just painting a Madonna; he is painting a mural of an ostensibly Futurist Madonna. Thus, added to the crime of aiding an escaped political prisoner is the implicit charge of “subversive art” (despite the fact that the Futurists tried so hard to ingratiate themselves with the Fascists...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: LHO Reenvisions 'Tosca' in Fascist Rome | 3/2/2010 | See Source »

...From The Futurist: The Life and Films of James Cameron. Copyright 2009 by Rebecca Keegan. To be published by the Crown Publishing Group, a division of Random House...

Author: /time Magazine | Title: Avatar Arrives! Can James Cameron Be King Again? | 12/14/2009 | See Source »

Action. Science fiction. Graphic-novel source. Bruce Willis. That was supposed to be a recipe for minting money. Yet Surrogates, with Willis in a dual role as a futurist FBI agent and his platinum-blond servo, fizzled, while the 3-D animated feature Cloudy with a Chance of Meatballs sizzled. The Sony cartoon pulled in $24.6 million to win the box-office weekend, according to early official studio estimates. Other segments of the potential audience may have renounced moviegoing - attending to more manly pursuits like watching football games and begging God's forgiveness - but moms and their kids went...

Author: /time Magazine | Title: Box-Office Weekend: Bruce Willis Gets Meatballed | 9/28/2009 | See Source »

...Those, you might say, were the compass points of last summer's Pixar wonder WALL-E, of which Docter was the original director (before handing the project to Andrew Stanton). There are other similarities between that futurist galactic epic and Up, which arrives in North American theaters Friday after its rapturous reception two weeks ago as the opening-night attraction at the Cannes Film Festival. Both movies are about lonely creatures - a droid left on Earth, a man whose cherished wife has died - taking a perilous trip. Both protagonists are stout and box-shaped and don't talk much. Both...

Author: /time Magazine | Title: Up, Up and Away: Another New High for Pixar | 5/28/2009 | See Source »

...Technical Manifesto of Futurist Painting declared: "The motor bus rushes into the houses which it passes, and in their turn the houses throw themselves upon the motor bus and are blended with it." Carlo Carrà captured this energy in the kaleidoscopic What the Tram Told Me (1911), while Umberto Boccioni conveys the rush of rail travel in his triptych States of Mind (1911). The second painting in the series, Those Who Go, depicts giant dreaming heads swept along with fragmentary buildings, leaving faded gray figures marooned on the platform in the third panel, Those Who Stay...

Author: /time Magazine | Title: The Past of Futurism at the Tate | 5/28/2009 | See Source »

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