Word: macdermot
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Dates: during 2000-2009
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...Hair” was written in the 1960s by James Rado and George Ragne, with musical composition by Galt MacDermot. It follows the story of “The Tribe,” a group of politically active, long-haired Greenwich Village friends whose rebellion against the conservatism of their parents’ generation leads to struggles with racism...
...living group headed by the fiery, free-spirited Berger and the more conflicted refugee from Queens, Claude. (A New York Times critic, quaintly, said the show reminded him of 1920s off-Broadway revues--"the bright impudence of The Grand Street Follies and The Garrick Gaieties.") The score by Galt MacDermot--a musician who was nearing 40, loved jazz and favored suits and ties, the straight man out in this band of hippie-artists--is more experimental than it usually gets credit for. In addition to the familiar anthems (Aquarius, Let the Sun Shine In), many of the songs are mere...
...Murphy is an actress I've followed since 1984, when at 25 she played the mother in Galt MacDermot's "The Human Comedy." She was a smash as an amnesiac chanteuse in the off-Broadway "Song of Singapore," as the obsessive jilted lover in Stephen Sondheim's "Passion" and as a dark-hued Anna in the 1996 Broadway revival of "The King and I." Here she uses her kabuki face to all manner of deadpan delight, then goes into giddy spasms in the dance numbers. She's Buster Keaton in repose, Diane Keaton in motion. Her and the show...