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Word: macbeth (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...Other new singers will be Sopranos Florence Macbeth and Thelma Votipha. Tenor Theodore Strack (Hungarian) and Basso Carl Bitterl. Conductor Frank St. Leger and Tenor Theodore Ritch have been re-engaged. Naurent Novikoff, onetime partner of Anna Pavlowa, will direct the ballet school...

Author: /time Magazine | Title: Music: In Chicago | 11/4/1929 | See Source »

...first crinoline that town ever saw. Her charms thus enhanced induced old Isaacs Menken, vocal teacher, to make her a Jewess and his bride. A memory of her first love drove her from Menken's hearth, but later gave morbid ardor to her acting of Lady Macbeth in New Orleans. In New York she became a poetess and the wife of Heavyweight Champion John C. Heenan. Her acting in Mazeppa brought her fame. This was the sensational play wherein, as a Tartar boy, she wore the first boyish bob on the New York stage. The place was the Bowery...

Author: /time Magazine | Title: Books: Dolorous Dolores | 8/19/1929 | See Source »

That night the Dawes baggage was hustled aboard a train for Scotland. Next morning the Ambassador was gazing happily at heaths and highlands. Well-primed, Hustler Dawes quoted Macbeth at the newsmen...

Author: /time Magazine | Title: THE CABINET: Hustler | 6/24/1929 | See Source »

...Duchess of York was born Aug. 4, 1900. It would have been altogether unsuitable to have gone for a birthday party to "G'anpa and G'annie's" dour, ancestral Glamis Castle in Scotland, according to legend the very same in which, as Shakespeare has told, Macbeth did murder Duncan. Presents for their daughter are more of a problem to the Duke & Duchess of York than to the parents of most three-year-olds. For example, on their tour of Australia (TIME, Jan. 17, et seq.) they were obliged to accept and bring home "for Baby Betty...

Author: /time Magazine | Title: Foreign News: P'incess Is Three | 4/29/1929 | See Source »

...program-thumbing defeatism, still the members of the Cercle show a heartening discontent with mere conventional performance. The staging of seventeenth century plays in modern dress is not entirely unprecedented, but hitherto the creations of Moliere have been passed over by the managers who have put Hamlet and Macbeth into sack suits. Modernistic scenery in various phases has appeared rather frequently on American stages, as patrons of the Dramatic Club have discovered, but heretofore the French plays at Harvard, as generally throughout the country have been characterized by an eager duplication of the traditional mode...

Author: NO WRITER ATTRIBUTED | Title: DECISION OF THE CERCLE | 11/30/1928 | See Source »

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