Word: loved
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Dates: during 1970-1979
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...Americans could no longer put their faith in those two old reliables, technology and economic theory. The failings of technology were exposed by the radioactive clouds rising from Three Mile Island, the flames spitting from the DC-10 that lost an engine over Chicago, the poisons seeping into the Love Canal. The frustrations of economic theory were revealed by the inability of the disciples of John Maynard Keynes, the British economist whose market-manipulating philosophies have dominated policymaking since the 1950s and 1960s, to deal with the stagflation realities of laggard growth, runaway prices and receding productivity in the post...
That may be an exaggeration. The wealthy and the powerful have invested in art from time immemorial, though it is true that the great collections have been amassed by acquisitors possessed of taste and love for the objects they buy. They have not generally been dis couraged by hard times. On the contrary, in recessions and depressions and inflations, the smart ones tend to liquidate stocks, bonds and real estate and thus have all the more cash to invest in other fields. Like art. Given the scar city of beautiful things and the insatiable demand for them, the sales will...
...fashion. The art market is built on it. The French cattle painter Rosa Bonheur, a favorite of Victorian merchant princes, got ? 4,059 (then almost $20,000) for her Highland Raid in 1887; in 1952 it was resold for under ?200, or $560. Sir Edward Burne-Jones' Love and the Pilgrim, sold in 1898 for .?5,775 ($28,000), dropped to ?21 ($85) within less than 50 years. If artists who in their day were considered outstanding, whose work was underwritten by the capital and by the social opinions of a powerful empire, could vanish into the oubliette, there...
...that includes three wives, mistresses, ups, downs and flashbacks from movie history. Farber is present at the Creation. After his theater chain folds he becomes production assistant to Mack Sennett at D.W. Griffith's Biograph studios in New York. Sennett and Mabel Normand carry on their Keystone Kops love affair; Harold Lloyd simulates climbing the side of a building on a facade laid flat on the floor; Fatty Arbuckle takes a blueberry pie in the face; and Buster Keaton gives Charlie Chaplin costume advice for a tramplike character he hopes will make people laugh...
FICTION: Old Love, Isaac Bashevis Singer ∙On the Edge of the Cliff, V.S. Pritchett ∙Passion Play, Jerzy Kosinski ∙Shikasta, Doris Lessing The Executioner's Song, Norman Mailer ∙The Ghost Writer, Philip Roth ∙ Uncollected Stories of William Faulkner, Edited by Joseph Blotner