Word: lorrainers
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...same context. In short, there is a real reason for its existence that justifies the expense and risk of bringing the work around the world. Only in recent years, with a cluster of major exhibitions devoted to the 17th century-"France in the Golden Age" at the Met, Claude Lorrain at the National Gallery, Ruisdael at the Fogg, and a few others-have Americans been able to clear their minds of prejudices in favor of the quattrocento and see what pleasure the baroque period holds. This show carries that project further...
...Polaroid film were exposed in the hope of trapping their own Ansel Adams image, rather as tourists in 18th century Italy sometimes carried a smoked lens called a Claude Glass, through which the landscapes of the Roman Campagna could be seen in the mellow brown tone of Claude Lorrain's canvases. To that public, Adams is as American as John Wayne: the last portraitist of Western sublimity...
...Grand Duchy's top news sources, has certainly not hindered the journalism career she began after her graduation from the Sorbonne in 1957. A specialist in financial and foreign news, she writes for the Associated Press, does a weekly column for the French paper Le Républican Lorrain and a regular Sunday broadcast for Radio Luxembourg...
...FOGG: New American Graphic Art, through Oct. 28, The Claude Lorrain Album in the Norton Simon, Inc. Museum of Art, through Oct. 21, Benjamin Rowland, Jr. Memorial Exhibition, through...
...would have been more interesting to show Canaletto's view of Venice next to Guardi's Venice rather than placing a Tintoretto in between. And why is Vermeer's Young Woman between Claude Lorrain's turbulent Trojan Women and Poussin's Rape of the Sabine Women? For chronology or for a calm between two storms? Why not pair the Vermeer with Holbein's portrait of a German merchant? Pairing would at least make the viewer question why the two paintings were paired. Even pointing out both artists' attention to detail, would be better than just letting the viewer admire...