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Word: lines (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...entrance foyer, and a 9-ft. blue spruce upstairs that is trimmed with ornaments that the Nixons have used for years. The tree in the family quarters stands on a revolving base that plays Jingle Bells. Outside, for the first time, tiny white lights glow from the boxwoods that line the front driveway. To TIME Correspondent Bonnie Angelo, Mrs. Nixon explained: "You can't overdo at Christmas time. The more the better, so far as I'm concerned...

Author: /time Magazine | Title: Nation: CHRISTMAS AT THE NIXONS' | 12/26/1969 | See Source »

...Pierre Cardin becomes the first Paris couturier to design a full line of clothing...

Author: /time Magazine | Title: Modern Living: Top of the Decade: Modern Living | 12/26/1969 | See Source »

...show is one of those lavish reminders that the assembly line is not the fountain of inspiration, that known quantities gathered together do not necessarily produce the elusively unknown quantities of fine dramatic art or exciting entertainment. Wands are wielded by Katharine Hepburn, Alan Jay Lerner, Andre Previn and Cecil Beaton, but no magic ensues. No wish is fulfilled. No dream comes true...

Author: /time Magazine | Title: Theater: All Work and No Play | 12/26/1969 | See Source »

Carrying a Corpse. Ironies like that are easy to manufacture, and Scenarists James Poe and Robert E. Thompson operate an assembly line. Ruby tunelessly chants The Best Things in Life Are Free, then crawls for the pennies people throw her way. A Harlow-eyed blonde (Susannah York) is in the contest not for the $1,500 prize, but for a chance to be seen by a movie talent scout who might elevate her to bearable unreality. When the marathon begins to drag, Rocky dresses the participants in track suits and has them race around the floor-an event that literally...

Author: /time Magazine | Title: Cinema: Marathon '32 | 12/19/1969 | See Source »

Still, as a footnote to American history, They Shoot Horses, Don't They? is invaluable. The entire cast-particularly Young and Fonda-understands the era when existence seemed one long bread line. The penciled eyebrows, marcelled coiffures and bright, hopeful faces change by degrees into ghastly masks; the bodies seem to pull against a gravity that wants them six feet underground. The music goes round and round, and so do the actors, in a coruscating dance of death. It is a pity that the picture is not left to them. The film makers should have known better than...

Author: /time Magazine | Title: Cinema: Marathon '32 | 12/19/1969 | See Source »

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