Word: leaders
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Dates: during 1900-1909
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Glee Club; leader--F. L. Foster '10; first tenors--a. M. Osgood '11, H. Osgood, 2d., '11, H. Rogers '10, L. F. Whitney '10; second tenors--E. L. Beard, Jr., '10, H. F. Boynton '11, E. C. Johnston sL., C. B. Long '13, C. B. Richardson '10; first basses--F. R. Hancock '11, P. K. Houston '12, T. H. Matters, Jr., 2L., S. B. Steel '11, G. D. Pirnie '10; second basses--W. K. Earle '10, H. P. Fowler '10, J.S. Russell 3M., S. C. Simons '11, D. W. Teachout...
Mandolin Club: leader--F. P. Ferguson '10; first mandolins--E. E. Bennett '10, G. H. Bigelow '13, J. A. Cook '13, L. O. Cummings '10, A. B. Day '13, F. M. Gardiner '10; second mandolins--H. C. Kittredge '11 O, D. Pfaelzer '12, G. M. Pinney '10, D. P. Ranney '12, R. A. Whidden '12; third mandolins--E. K. Merrihew '10, H. R. Morse '12, N. S. Smith, Jr., '11; guitars--V. Morris '12, M. Wambaugh '10, M. M. Warren '10; cello--J. G. Gilkey...
Banjo Club: leader--J. W. Bowen '12; banjeaurines--L. L. Baker '13, F. A. Hubbard '11, R. Murray '12, E. S. Read '11, S. C. Woodworth '10; banjos--G. H. Bigelow '13, H. A. Gifford '12, A. A. Prior '12, D. J. Witmer '10, C. H. Wolfe '10; mandolas--E. E. Bennett '10, A. B. Day '13, H. C. Kittredge '11, H. R. Morris '12, M. Wambaugh '10, M. M. Warren '10; cello--J. G. Gilkey...
...independent of them as rapidly as possible, to withdraw themselves just as rapidly as possible from their lives, that they may stand alone and stand strong. Nevertheless, it is a pleasant thing in the secondary school to have these young chaps about you, to feel that you are their leader, and that you can influence and direct them along the right lines...
...three performances of "The Scarecrow," to be given by the Dramatic Club on December 7, 9, and 11, will be provided by the Pierian Sodality Orchestra. The opening number will be a dedication prologue, "The Scarecrow," written especially for the Dramatic Club by C. D. Clifton '12, leader of the orchestra. Unlike the overture to "The Promised Land," composed last fall by P. G. Clapp '09, this prologue will not so much provide a mere epitome of the theme of the play as attempt to picture the relations of the motives and characters of the drama proper. There are four...