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...destroyed every one of 240 feature films made in Korea before the mid-1940s and most of those made during the 1950s as well. Young South Korean directors like edgy stories of violence and sex. Im is of a more mature school, preferring graceful period pieces, produced with Akira Kurosawa-style attention to costume and scenery and marked by a peculiarly Korean form of sadness called han. Shaped by countless foreign invasions and Korea's ensuing sense of rage and helplessness, han permeates Im's movies. The protagonist in Chihwaseon is a painter who realizes he can only create masterpieces...

Author: /time Magazine | Title: The Unbearable Sadness of Being Korean | 6/3/2002 | See Source »

...During the U.S. occupation of Japan, Anderson read and heard about silent films, but was unable to view one. When Akira Kurosawa's Rashomon won the Grand Prize at the Venice Film Festival in 1951 and opened in New York to critical acclaim, Anderson hoped it would spur interest in its silent predecessors. It did. Cineasts found some films in katsu kichi, private salons showing silent films held in private collections. The groups were organized by Shunsui Matsuda, a benshi who died in 1987. The clubs re-created the original conditions of silent screenings. Last fall, the Pordenone festival invited...

Author: /time Magazine | Title: Soundless Magic from a Bygone Era | 4/8/2002 | See Source »

...Despite his protestations Miyazaki is as much Spielberg?audience-pleasing and moneymaking?as he is Kurosawa, with whom he is often compared. His current hit, Spirited Away, is a case in point. Set in modern-day Japan, the film begins with a family's wrong turn during a move to a mountainside town. Passing through a tunnel, they arrive in a strange land where a spell turns the parents into pigs. That leaves their 10-year-old daughter, Chihiro, to save them. Nothing is as it seems here?a boy turns into a flying dragon, a paper bird into...

Author: /time Magazine | Title: The Magic of Make Believe | 10/22/2001 | See Source »

...Japanese ancestry and was deported. But Yamaguchi's charisma soon overcame her "crimes." In the '50s she made films in Hong Kong (Bu Wancang's The Unforgettable Night) and the U.S. (King Vidor's Japanese War Bride and Samuel Fuller's House of Bamboo) as well as in Japan (Kurosawa's Scandal). Later she was elected to several terms as a Liberal Democrat to Japan's parliament. Pretty dramatic, eh? No wonder her life story inspired a Tokyo musical. (So did Hayakawa...

Author: /time Magazine | Title: Geishas & Godzillas | 4/30/2001 | See Source »

...half-century now, since Kurosawa's Rashomon triumphed at the Venice Film Festival and introduced Western audiences to the radiance of his country's film tradition, stories about the Japanese have mostly been told by the Japanese. With so much of the genuine article on tap, viewers have no need to get an image of Japan from Americans with a message or a grudge. And if the glory days of the nation's art film are gone, the export industry for filmed entertainment has never been more robust. Every kid cherishes Pokémon. Every lurker in specialized video stores...

Author: /time Magazine | Title: Geishas & Godzillas | 4/30/2001 | See Source »

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