Word: kurosawa
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...most cultured people and the most barbaric. Western directors like Alain Resnais (Hiroshima mon amour) and Steven Spielberg (who will achieve a Japanese trilogy if he ever adds the long-deferred Memoirs of a Geisha to 1941 and Empire of the Sun) have joined such local masters as Akira Kurosawa, Yasujiro Ozu and Nagisa Oshima in trying to define the bold, elusive Japanese psyche...
Nonzee's most endearing trick has been to remain a commercial director within Thailand while gaining respect on the art house circuit overseas. Japanese director Akira Kurosawa used to say that the best way to become international was to be as true to one's own culture as possible. Nonzee is no different, and tips his hat to Chinese filmmaker Zhang Yimou for the same reason. "His films all smack of the East, particularly Ju Dou, and I want to give Thai cinema the same sense of identity that Yimou gave Chinese cinema." Rival director and friend Ratanaruang has Nonzee...
...fiction. She knows she risks trying her readers' patience. But, she says, "I had this proselytizing zeal." If she'd had her way with her editor, her book would have been even more multilayered; for instance, she wanted to include photo stills from The Seven Samurai, the Akira Kurosawa film that is integral to her story. "There was also originally something about counting in Arabic," she says, and bursts into peals of laughter. "I feel I exercised such restraint...
...hard to imagine a headier celebrity cocktail. Grand dame Japanese designer Emi Wada, who won an Oscar for Akira Kurosawa's Ran, is doing the costumes. Oscar-winning Crouching Tiger composer Tan Dun has been tapped for the score. But Academy toasts and red-carpet strolls are a long way off, and Zhang's attitude toward his work is decidedly sober. He must lead cast and crew through the grueling 150-day, 7-a.m.-to-midnight production schedule, slated to finish at the end of January. This afternoon, they are filming in Hengdian TV & Movie City - a local entrepreneur...
...with Sibylla and Ludo provide comic relief in an otherwise haunting, melancholy work. The novel is almost free form, with shifting narrative voices and scholarly digressions on whatever happens to fascinate Sibylla or Ludo at any given moment. Enveloped in their cocoon of lonely eccentricity, mother and son watch Kurosawa's The Seven Samurai over and over, and fragments from the film float through the novel like a refrain in a minor key. Eventually, Ludo begins a quest of his own, not to recruit samurai but to track down a father, any father. "I felt ashamed, really ashamed...