Word: kistler
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Dates: during 1980-1989
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Hughes and Dr. J. Philip Kistler, a neurologist heading the Stroke Service, will lead the interdepartmental study...
MacKay and his wife Linda alone submitted 47,000 entries. A drawing was held, and the three finalists were picked. All are residents of the Allentown area: MacKay, a house parent at a home for disturbed children; Ron Kistler 25, an unemployed baker; and Dalton Young, 23, an unemployed veteran. They settled onto the platform on Sept. 20. Sponsors gave each one a tent, radio, sleeping bag, portable toilet, telephone and an electronic game. Although they have their own heaters, under the rules they cannot have TVs, alcohol or, with occasional brief exceptions, visitors. Their families hoist up food...
...blocks between Lincoln Center and his apartment overlooking Central Park. For several years he shared his life with N.Y.C.B. Principal Heather Watts, 29, for whom he created a number of parts. That is now over, and there is speculation among City Ballet watchers about his relationship with Ballerina Darci Kistler, 18. "What can I call Darci?" he muses. "She is a very close friend, a girl who is focused and dedicated. I like that in people." His leisure time is limited to an occasional Jeep ride to a hilltop aerie he owns in Connecticut. He takes a robust pleasure...
...company's three less well-known choreographers had their difficulties. Peter Martins did a brief, saucy Piano-Rag-Music for Darci Kistler, showing this explosive teenage star as a Ginger Rogers in pointe shoes. His longer work, Concerto for Two Solo Pianos, illustrated just how recalcitrant Stravinsky can be: Martins' formidable clarity and order were exhausted by the endless drill of notes. Jacques d'Amboise's Serenade en la had one irresistible sequence: a lighthearted duet for two very short girls (Stacy Caddell and Nichol Hlinka), in which the arms are usually joined but the steps...
...first orchestral flourish, the corps strikes a series of sassy poses, which melt away at Maria Calegari's bluesy, ruminative entrance. During an extended first-movement pas de deux, Kistler and Christopher d'Amboise follow the music's every twist and unexpected turn, illustrating its ripples with flowing figurations of their own. The third movement's bold, thrusting opening is similarly reflected in the dance, which includes some rapid-fire footwork for D'Amboise inspired by the rat-a-tat-tat of the piano. Paradoxically, Robbins is most, and least, successful with his extended bagatelle...