Word: keyboard
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Dates: during 1960-1969
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...Judy West, at Los Angeles' Red Roulette room, is a kind of Patti Page of the keyboard. Combining elegance and brash good humor, she bounces freely from Latin to folk, Hawaiian to Dixieland, but is most effective in numbers with a hint of country twang. An attractive divorcee, she has a large following among the men, to whom she plays as deftly as she plays the piano. She can be either nursemaid or sedup-tress, gauging her attack by "the different stages of drink." Says she: "If they're looking at me, I try to entertain. If they...
...make it on his own. Since he likes to eat, he does force himself to play a public concert now and then. His recent recital at Manhattan's Philharmonic Hall was, typically, a study in reluctance. Even his posture seemed vaguely discontented. Creeping up on the piano keyboard, he curled his bulky 6-ft. 1-in. frame into a question mark, repeatedly dipped his head as if he were literally going to play the music...
Rain thrummed on the huge tent twice during the performance, but the audience at the Aspen Music Festival in Colorado hardly seemed to notice. Onstage, the pianist leaned more intently over the keyboard and subtly adjusted his tone to bring the music out over the sound of the shower. Wet or dry, it was an excellent performance of Beethoven's last and perhaps greatest piano sonata (in C minor, Opus 111), a piece that alternates between demonic fury and lyric contemplation and requires more than mere competence to bring...
...fashion. Hines's playing today, save for a heightened sense of surprise, is practically the same as it was when he came out of Pittsburgh as the most original jazz pianist around. His own father had played the cornet, and Earl adapted its lusty, brassy quality to the keyboard, learned to chop out big, gaudy chords in order to be heard through a blaring orchestra. The technique was further refined when he teamed with Louis Armstrong in 1928 for a memorable series of recordings. Recalls Hines: "I wanted to play like him, and he wanted to play like...
Previn has signed to conduct 60 concerts with various U.S. orchestras in the 1966-67 season, eight with the Houston Symphony. In two of the concerts, he will play the piano and conduct from the keyboard. He is also composing his first Broadway musical, Coco, about the life of 83-year-old Parisian Designer Coco Chanel, in which he is collaborating with Alan Jay Lerner. He has contracted with RCA Victor Red Seal to score either two pop or two jazz albums a year, and to do four conducting jobs a year...