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Word: keyboard (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...violin in his ear: his father is a violinist, a former assistant concertmaster for Toscanini with the NBC Symphony. Lorin got his first violin when he was three ("I smashed it"), went on to the piano when he was five, and in his first day at the keyboard went through an entire book of beginner's exercises. By the time he was ten, Lorin was playing recitals, and he has been hard at it ever since. He scored his second big recital triumph last January when he filled in for his friend Van Cliburn in San Antonio and received...

Author: /time Magazine | Title: Music: Teen-Age Virtuoso | 11/16/1959 | See Source »

...keyboard was a musician, all right-but was he a topflight pianist? The question agitated most Manhattan critics last week, but it failed to disturb the crowd that thronged Town Hall to hear an eagerly awaited debut. Regardless of critical quibbles, Germany's 47-year-old Hans Richter-Haaser clearly proved to be one of the biggest keyboard talents to hit Manhattan in years...

Author: /time Magazine | Title: Music: Major Pianist | 11/9/1959 | See Source »

Toscanini's Choice. Born in the French Pyrenees. Salzedo started out to be a pianist. His mother was a pianist at the Spanish summer court, and she sat her son down at the keyboard so early that he gave recitals at five, was taken out of school when he was six to concentrate on music. When the family moved to Paris, Carlos entered the conservatory and started studying the harp as a sideline. On his graduation, he was the only student in the school's history to win first prize in both piano and harp...

Author: /time Magazine | Title: Music: Angels' Disciple | 9/14/1959 | See Source »

...verdict. I was bubbling over with it." Then she called Liberace's room at the Savoy. But the pianist had left to play before a packed house at the Chiswick Empire. When a woman there shouted: "Let's have one for Mr. Connor!", Liberace turned to the keyboard and rippled out Jealousy...

Author: /time Magazine | Title: The Press: Jealousy | 6/29/1959 | See Source »

...earlier pieces last year. William Wilder's Duo for String Quartet, another example of minimal performance instructions did not quite come off, perhaps because the players did not take full advantage of the near-complete rhythmical freedom they were given. John Cage's Six Melodies for Violin and Keyboard, which employs only eleven sounds, turned out to be a rather lame divertimento, though several Islamic touches near the end provoked cautious amusement...

Author: By Edgar Murray, | Title: Revolution in New Music: Webern and Beyond | 3/20/1959 | See Source »

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