Word: interior
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Dates: during 1890-1899
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...series of photographic studies by Mr. H. P. Robinson, of England, illustrating the progress of the artistic side of photography. The photographs are notable for the excellent choice and arrangement of subjects and for the skill with which they are executed. Of the eighteen prints, the best two are interior pictures entitled "Dawn and sunset" and "When the Day's Work is Done." The latter is the more effective of these two pictures of peasant life on account of the simplicity of the subject and the valuations of the lights and shadows. The "Storm Clearing Off" is a good example...
...interior decoration and arrangement has been designed by Mr. La Rose. The style of decoration is that of Louis XV, and in color will be simllar to that of the Faculty room in University Hall. The walls are divided into panels which are to be painted by Mr. Martin Mower, of the department of Fine Arts, after the manner of Boucher. The arms of France, of Corneille and of Racine will be painted on the chimney piece by Mr. La Rose. The alcove, in which stood the lectum of the St. Paul's Society, is fitted with book cases...
Last evening's services provided the opportunity for the public to see the improvements made in the interior finish and decorations of the Chapel during the summer. Electric lights have been put in and a new ventilating system keeps the building filled with fresh air. The walls and ceiling have been re-painted and the organ -- formerly worked by hand power--now has an electric bellows. The cost of these improvements was about...
...United States at Madrid, at which post he served until April, '90. While secretary he was really in charge of the legation for a third of the period. He was twice sent on special missions to Morocco, his second visit involving a ride of 250 miles into the interior and an interview with the Sultan. On retiring from the legation in Madrid he remained in Europe for more than two years...
...different scenes at different times. At the right and left are the houses of Sganarelle and Geronte respectively, and at the back centre a woodland scene. According, then, as the actors enter from the back or from one of the houses, the scene will be the woods, or the interior of one of the houses. This stage setting, as has recently been discovered, was made necessary by the technical rules which governed French dramatists in the fifteenth and sixteenth centuries, but which were falling into disuse when Moliere wrote...