Word: impresario
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Dates: during 1980-1989
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...form) is unnecessary baggage in today's paper chase. Fisketjon, 33, McInerney's close friend at Williams College in the mid-'70s, pushed Bright Lights when he worked at Random House. He is now editorial director of Atlantic Monthly Press and, as yuppie-fiction's most visible impresario, a celebrity in his own right...
Move over, Zeffirelli. For a $10 million staging of Verdi's Aida this month, Egyptian-born Impresario Fawzi Mitwali rejected sets for the real thing: the Temple of Luxor on the site of ancient Thebes. Besides Tenor Placido Domingo, opening night featured the 525-member Arena di Verona Opera Company, 180 Egyptian soldiers and 200 extras tramping down the Avenue of the Sphinxes...
...impresario? None other than Interior Minister Charles Pasqua, who staged the display as part of a campaign against pornography. Dubbed "Pasqua's Sex Shop" by the press, the antiporn program quickly backfired. An uncooperative President Franois Mitterrand declared that he opposed "all forms of censorship," and former Culture Minister Jack Lang pointedly sent along an erotic engraving by Picasso to be included in the show...
...million -- the most in U.S. theater history, nearly double the $6.2 million record set by Cats in 1982. The show is already slated to open in 20 more countries: requests have come from the Soviet Union and South Africa, Bulgaria and Japan. Says Producer Cameron Mackintosh, 40, an impresario whose properties include Cats, Little Shop of Horrors and the London smash The Phantom of the Opera: "Les Miserables has the potential to be the most successful musical of the past 20 or 30 years...
That bizarre sequence opens Tonight We Improvise, a play by Luigi Pirandello, adapted and directed by Robert Brustein for his American Repertory Theater in Cambridge, Mass. Brustein also plays the impresario advocating auteurism; the cameraman is Frederick Wiseman, renowned for such PBS cinema verite documentaries as Canal Zone and Meat. Their monologues, just serious enough to be plausible -- Brustein actually does believe that directors have as creative a role as writers -- eventually become self-mockingly funny. But the jokes seem to go over the heads of much of the audience; instead of laughing, many spectators stare deadpan as if trying...