Word: heroism
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Dates: during 1970-1979
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...that Justice is completely devoid of heroism. Al Pacino stars in the film, playing an idealistic attorney who tries to buck the system. His is a difficult and tedious task. Pacino gets into so many screaming matches and moral dilemmas that he often seems to be acting all the roles in Dog Day Afternoon at once. As it happens, he acts them well, but not well enough to distract us from the enveloping silliness of the movie that surrounds...
...daydream, forcing her to confront the question she has fled: whether to fight or capitulate. Rosa, the reluctant dissident, is not larger than life. She is not like her singleminded father, who chose his path without regrets or soul-searching. Rosa must find her own way to fight. Her heroism is more moving because it is more human, because her conflicts--both selfish and unselfish--mirror...
...revel in the miseries of the soul, and even his most pathetic images come to us across a measured distance and through a focused sense of human absurdity. The painting that summed up Lautrec's sense of what Baudelaire, another wounded argonaut of the boulevards, called "the heroism of modern life" was At the Moulin Rouge, 1892-95. It is a gathering of Lautrec's tribe, his best male friends and the cabaret women who were the main characters of his art. It also seems to be Lautrec's most complete answer to the Parnassian pretensions...
...realism is an irrational goal for the writer (What is real? Whose reality is it?); art rehashes art. Barth's response was to exalt artifice and make telling the subject of the tale. Giles Goat-Boy (1966) was less a novel than a treatise on the archetypes of heroism; some of the stories in Lost in the Funhouse (1968) suggested antiphonal readings between printed page and tape recorder, or struggled gamely just to get themselves started; the three novellas in Chimera (1972) portrayed classical myths swallowed by their own commentaries...
...Commanders. The popular real-life espionage book A Man Called Intrepid is only one that has been translated into a television series. Last September, 80 stations all over the country began regularly feeding out a 25-episode presentation of World War II: G.I. Diary, a journal of obscure heroism. Undoubtedly, however, TV's varied World War II material was highlighted by 1978's blockbusting 9½-hour series Holocaust. Now all networks, in the words of CBS Special Projects Director Mae Helms, are "trying to come up with their own Holocaust...