Word: hero
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Dates: during 1970-1979
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Gideon's estranged wife and current lover (played by the quicksilver dancers Leland Palmer and Ann Reinking) are virtually undisguised portraits of Gwen Verdon and the real-life Reinking. The hero's artistic associates are scabrous caricatures of past Fosse collaborators. Through a series of gritty backstage scenes and razor-sharp dance numbers, these players dramatize all the tensions, hard work and neuroses of idiosyncratic, inveterate show people. In Jazz's spectacular opening sequence, a Broadway audition, Fosse even creates his own capsule version of A Chorus Line...
...Fosse regards as self-analysis often comes out as egomaniacal self-congratulation: there's even a scene where Gideon cries at his own funeral. Still, Fosse is no fool, and at times he is his own best critic. All That Jazz is never more honest than when its hero confesses, "Sometimes I don't know when the bull ends and the truth begins." #151; Frank Rich
...past three years Bette has been living with Peter Riegert, 32, the actor who played Boon, the social chairman of Delta Tau Chi, in Animal House, and the hero's best friend in Head over Heels. Though they live in Los Angeles, they have rented a loft in Manhattan for their trips East. Calm and low-key, Riegert seems to be the grounding for Bette's electric charge, her steadying influence. On stage, says Midler, she is "a character without fear, who has no problem being vulgar or outrageous. But in my private life...
...quiet, affecting novel might be: Don't Read Tolstoy. John Strickland, 40, is a successful London barrister who casually picks up The Death of Ivan Ilych during an August retreat at the home of his wife's parents. The lawyer finds himself deeply rattled by the Tolstoy hero's mounting despair, especially by the question Ilych asks himself: "Maybe I did not live as I ought to have done?" Querying himself in the same manner, Strickland realizes that he loathes his career, the expensive trappings of his upper-middle-class existence and his marriage of twelve years...
...great tradition of British novelists, he draws society as a delicate, vast spider web, tuned to vibrate at the lightest footfall or breath of scandal. In addition, Read is a self-described "serious Catholic" and scales this novel to dimensions familiar to readers of Graham Greene: his hero's quest for fulfillment progresses not only as an item of gossip but as a spectacle under the cold eye of eternity...