Word: heartbreaker
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Dates: during 1940-1949
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...medical horror that sometimes bubbles over in such phrases as "The love in him wrung its hands in defeat." But more often its galloping, impassioned style exactly conveys the sight and smell of wards full of dying women, the outraged conservatism of doctors who bitterly resisted aseptic surgery, the heartbreak of seeing a lifesaving discovery rejected...
Honorable mentions in the undergraduate division of the Bowdoin prizes went to Foote, who wrote a second piece, on "Father Hopkins: A Ritualist in Poetry"; Michael Roemer '49 for "Heartbreak House": and Walter S. Frank '49 for "The Tragic Equation: A Study of Marlowe's 'Faustus' and Goethe's 'Faust...
...they learned only the barest details of the North Atlantic pact, tabloid readers learned a lot about life's triumphs, travail and heartbreak that readers of the Times and Herald Tribune (which chose to run Tenor Tagliavini's troubles on its music page) often missed in their news...
...first act was a little disconcerting, for two reasons. First, the characters and plot revealed a lack of originality, as mentioned. Second, the difficulty of adjusting oneself to seeing the same actors, who only last week were so exciting as members of Shaw's Heartbreak family, reduced new to the hum-drum bickerings of Mr. Savory's Garth-Banders...
Both "The Road to Rome" and "Heartbreak House" were given excellent, professional productions and "George and Margaret" will doubtlessly get the same. But even though it was a success in London, "George and Margaret" failed when it was seen here in 1937, as often happens with imported hits. Mr. Linenthal describes it as a "pleasant and amusing" play. That much could also be said for "Claudia" and "I Remember Mama," two immense successes--but they do not belong in repertory. There is an uncomfortable suspicion that "George and Margaret" may not either...