Word: hathaway
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Dates: during 1960-1969
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...along the narrow roads in her electric wheelchair, monopolizes the right to keep pigeons and bitches, takes a 13th share of the price paid for any property, and governs the tiny islet 20 miles off the coast of France with the traditional whim of iron. Last week Dame Sibyl Hathaway, 85, one of the Western world's last feudal rulers, was furious. "I can no longer publicize this island as a haven of rest when there are 42 tractors, few of which obey the traffic laws," she said. "I am also tired of having to call on Guernsey police...
...filmmakers themselves. It seems to be often reflected by men who do not wish to do their own thinking, using the myth as a set of values too sacred to challenge. This attitude is evidenced by the appearance of True Grit, the most recent work of Henry Hathaway...
...Hathaway's attitude to this girl and her companions' actions is one of complete neutrality. His cutting and composition is completely functional. When Wayne is giving testimony in court as to why he was forced to kill three men, Hathaway cuts between a two-shot of Wayne and the examining attorney for their dialogue and a two-shot of Wayne and the judge for theirs. Maddy at the hanging is present head-on and medium-close against a background which is a neutral as the courtroom. Because nobody in the film shows any development or chance in their attitude...
...audience, these are values which I particularly despise. By never questioning the values he presents, Hathaway removes from the audience all responsibility of evaluation. Either one is with him and for the film or one is against him and his product. Our values remain unchanged and, since we have not had any confrontation, unconfirmed as well...
...pretty patterns which Ballard was allowed to establish in True Grit are absent in The Wild Bunch since, unlike the Hathaway film, Sam Peckinpah has directed half to three-quarters of this epic in close-shot. The major exception to this rule of composition comes in the slow-motion orgies of violence which punctuate the film at various crucial points...