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...Madama Butterfly” met with diverse reactions between Eastern and Western audiences—while wildly successful at the Metropolitan Opera House in 1907, it met with some confusion by Japanese audiences, who sometimes did not know what to make of Western tonalities. Rodger and Hammerstein??s “The King and I” elicited shock from most Thai who were offended by the portrayal of their much-respected king. The list goes on.Ultimately, such is the power and the danger of artistic license. Inaccuracy, deviation from fact—these are useful. However...

Author: By N. KATHY Lin | Title: Orientalism and ‘The Mikado’ | 12/4/2007 | See Source »

...baby really suits Gwen Stefani. Looking as svelte and saucy as ever in her new video for “Wind It Up,” the first single from her upcoming album “The Sweet Escape,” Stefani manages to transform Rodgers and Hammerstein??s “The Sound of Music” into an adults-only show. The mini-musical opens with the camera panning up a lamb-dotted, astro-turfed hill that settles on Sister Stefani, dressed in nun garb and yodeling the opening lines from Julie Andrews?...

Author: By Kathleen A. Fedornak, CRIMSON STAFF WRITER | Title: POPSCREEN: Gwen Stefani, "Wind it Up" | 11/16/2006 | See Source »

However, the play’s subject matter is challenging: the themes of violence, poverty, and disillusionment give “Carousel” a complicated darker side that is seemingly at odds with the simplicity that Rodgers and Hammerstein??s moralism stereotypically conjures. The HRDC production, directed by Matt J. Weinstock ’05, though cute and well-intentioned and marked by several standout performances, does little to overcome the book’s limitations and fails to exploit its challenges...

Author: By Patrick D. Blanchfield, CRIMSON STAFF WRITER | Title: Acting Transcends Technical Weakness in 'Carousel' | 4/11/2005 | See Source »

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