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...cities to use the arts as an engine of growth. Dallas is in the process of completing a whole arts district. Abu Dhabi is planning a vast one. But long before there was a Bilbao effect - the revitalization of that scruffy Basque port by Frank Gehry's Guggenheim Museum there - New York had learned to use a cultural institution for urban renewal. In the 1940s and '50s, large areas of Manhattan's Upper West Side were slums, the turf of the warring street gangs that Leonard Bernstein made famous in West Side Story. But by the early 1960s, the various...

Author: /time Magazine | Title: Culture Club | 1/17/2008 | See Source »

...creators and intellectuals did indeed lose some ground in the U.S. after the war. But we are now seeing their ? return, and that of French galleries, onto the American scene. From translations of Bernard-Henri Lévy's books to artist Daniel Buren's installations at the Guggenheim, to the French presence at Art Basel Miami Beach, the news is very positive...

Author: /time Magazine | Title: Living Proof of a Vibrant Culture | 1/2/2008 | See Source »

...market for people who love to talk about themselves. Isay is the founder of StoryCorps, a national project he founded in 2003 that encourages everyday Americans to share the stories of their lives. Isay has quite a story to tell himself. He's won a MacArthur "Genius" grant, a Guggenheim, five Peabody Awards, and a slew of other broadcasting awards, and has written four books. But he's modest when he talks about his listening project. Each StoryCorps conversation (between two family members or friends) at a StoryCorps location is recorded for free on an audio CD; a second copy...

Author: /time Magazine | Title: Dave Isay: Tell Me a Story | 12/11/2007 | See Source »

...handle a parent's endgame. In writer-director Tamara Jenkins's intricately wrought movie, the old guy's children are flirting with middle age without much to show for it. Wendy is an unproduced playwright prone to bad fantasies (health) and good ones (she imagines she's won a Guggenheim fellowship). She's having an affair with a remarkably agreeable married man (the excellent Peter Friedman) that's not going anywhere, and she has an obscure desire to make up for past hostilities by placing her old man in a fancy nursing home. As her brother Jon points...

Author: /time Magazine | Title: The Diving Bell and The Savages: Thoughts of Mortality | 11/30/2007 | See Source »

Instead of producing his own art, Govan has spent much of his career nurturing and learning from artists. At the Guggenheim, he came into contact with such artists as Dan Flavin and Donald Judd, and when he got to Dia in 1994, he helped his artists dream big. Besides offering them close to 240,000 sq. ft. (73,000 sq m) of exhibition space at Dia, he embraced such large-scale earthworks as Michael Heizer's City project and James Turrell's Roden Crater...

Author: /time Magazine | Title: Thinking Out Of the Box | 11/19/2007 | See Source »

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