Word: glittering
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Dates: during 1940-1949
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...65th opening night, the Metropolitan Opera hoped that "much of the glitter generally associated with the first-night audience [would] be secondary to that on the stage." General Manager Edward Johnson had scheduled an opener that was hard to beat: the late Richard Strauss's sure-fire Der Rosenkavalier, with a cast of "unusual interest," directed by the Met's most brilliant conductor, Fritz Reiner. But last week, when the great night rolled around again, the off stage competition was as usual just too tough...
Shortly after the first World War, Dr. Walter Johnstone Williams, dentist and British consul in Papeete, Tahiti, acquired the atoll of Tetiaroa . . . Dr. Williams was the only dentist in Papeete for years, and he did quite a business-considering the Polynesians' love for "glitter-work" in their mouths . The royal Pomare family fell in debt to Dr. Williams for gold fillings . . . so they gave him Tetiaroa to clear up the bill...
Night after night the Met was packed to the fire-limit (for an alltime record ballet box-office gross of $256,000). In four weeks, Margot Fonteyn and Sadler's Wells had restored as much glitter to Britain's tarnished tiara as any mission the English had sent abroad since the war. In London, cartoonists put Prime Minister Clement Attlee, Ernie Bevin and Sir Stafford Cripps* into tutus, hinted that they might do well to make their next visit to the U.S. on tiptoe...
...lovely pas de deux ... so tense was the audience that one could hear the trickle of the tiny stage fountain above the closing notes of the clarinet." Last April, after a gala performance for Queen Elizabeth, the Evening Standard described the new Fonteyn: "Discarding the steely glitter that has sometimes divorced her from our deepest affections, she danced with simplicity, great feeling and unrivaled grace...
Dassin's erratic direction of actors produces some mixed results: Morris Car-novsky's generalized flourishes as a once-happy Greek, Lee Cobb's flabby, badly timed portrait of a marketeer, Millard Mitchell's hard-bitten acting of a tired truck driver. The Italian glitter girl, Valentina Cortesa, seems a likely candidate for the top-salaried star bracket. In the role of a waterfront fixture, she looks like an unemployed countess, but she spikes the role with a sweater-girl figure, viva-ciousness and great self-assurance...