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Word: giacometti (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Susse, 49, the seventh in the Susse line of foun-drymen, is a meticulous craftsman and connoisseur. Over the years, Susse Brothers has played host and helper to such far-flung makers of sculpture history as Constantin Brancusi, Jean Arp, Henry Moore, Germaine Richier, and the painter-sculptors Picasso, Giacometti, Braque, Dali and Chagall...

Author: /time Magazine | Title: Art: Famed Foundry | 12/28/1959 | See Source »

...techniques employed at Susse are "lost wax" and "sand casting." The lost-wax method of classical and Renaissance sculptors was revived by Susse especially to cope with the intricate broken surfaces of such moderns as Richier, Reg Butler and Giacometti. A plastic mold of the model is constructed and provided with a system of vents. A wax skin the thickness of the desired bronze is then spread over the inside of the mold, and the core is filled up with plaster. Then the wax is melted away through the vents, and molten bronze poured in. When the bronze cools...

Author: /time Magazine | Title: Art: Famed Foundry | 12/28/1959 | See Source »

...immediate contemporaries, the Italian sculptor, Giacometti, uses his electric virtuosity to enliven a canvas, one of his few. The subject appears ghost-like through the frantic scribblings of incised oil paint...

Author: By Ian Strasfogel, | Title: Salute to the Guggenheim | 11/5/1959 | See Source »

...control of Mandrian and vigor of Leger, Giacometti and Chagall are the only significant assets of this sprawling show. For the most part, it gives one the impression that modern artists are sloppy and devoid of imagination. Though such is not the case at all, the till-now reticent benefactors of the Museum of Fine Arts presumably don't know this. Needless to say, the present exhibition is not going to enlighten them...

Author: By Ian Strasfogel, | Title: Salute to the Guggenheim | 11/5/1959 | See Source »

...Alberto Giacometti, 57, is a hungry sort of spaceman who eats away the forms he makes, leaving space supreme. "I see reality life size," he once remarked, "just as you do." But his portraits got smaller and smaller. He would carry them in his pockets, like peanuts, to the Paris cafes, and crush them with a squeeze. After World War II, Giacometti suddenly began producing tall, straw-thin stick men reminiscent of ancient Sardinian bronzes. His sculptures can be seen almost all the way around and dominate space instead of filling it. These new figures were universally acclaimed, but Giacometti...

Author: /time Magazine | Title: Art: Maker of Images | 9/21/1959 | See Source »

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